D.D Murphry, Secret Policeman by Alan M. Clark and Elizabeth Massie

This post originally appeared on I Read Odd Books

Book: D.D. Murphry, Secret Policeman

Authors: Alan M. Clark and Elizabeth Massie

Type of Book: Fiction, themed short story collection

Why Do I Consider This Book Odd: Because the whole book is based on the delusions of a seriously mentally ill man.

Availability: Published in 2009 by Raw Dog Screaming Press, you can get a copy here:

Comments: I’ve been thinking about the mentally ill a lot lately. I technically have mental illness, but given my recent methods of fighting back as well as the relative mildness of my condition, I am getting very close to being The Sanest Person You Know. Earlier this year I read Pete Earley’s book, Crazy: A Father’s Search Through America’s Mental Health Madness, a sickening and sobering look at the mental healthcare system nationwide, but especially in Florida. When the face-eating cannibal case hit the headlines, my first thought was, “I bet he was a schizophrenic.” News said it was bath salts but the autopsy said all the face-eater had in his system was marijuana. I looked it up and sure enough – Rudy Eugene had a rich history of untreated schizophrenia, resulting in many assaults and several arrests.

It is with Earley’s book and the recent graphic example of the mental health care system failure in Florida in mind that I am writing this discussion. There is a lot that is funny in this book. Clark and Massie wove a mentally-ill conspiracy so well that it is pure genius – at times I wondered, briefly, if the conspiracy was real, that perhaps Murphry was ill but was also being used as a pawn by a malevolent force. So strongly does Murphry believe the truth of the misfires in his brain that the reader, even with strong clues that this is indeed a mentally disturbed man acting out what is happening in his mind, cannot help but think there is some truth to such energetic and labyrinthine delusions.

It is impossible to discuss the structure and plot of this book in much depth because to do so would utterly spoil the book. So I plan to give a bare-bones plot synopsis and then discuss the parts of chapter one that resonate with me. D.D. Murphry is a mentally ill, mostly homeless man. When a social worker helped him get on disability or some sort of Social Security, he interpreted that as having been hired by the “True Government” to spy on and take action against the “False Government.” His interpretations of various situations, as filtered through his damaged mind, range from the hilarious to the deeply disturbing, often depending on how it is he decides to react. He believes a librarian named Kate, who fears and loathes him, is his secret bride, given to him by the “True Government.” He believes her nasty reaction to him is a facade assumed to throw off others and he longs for the day he can finally consummate their marriage. Kate inadvertently provided a large source of fuel for Murphry’s delusions, as she taught him to use a computer and access e-mail. Murphry sees spam as secret communications from the True Government and Clark and Massie really shine when they show how he manages to find real life corollaries in the simplest things that match the messages he thinks he received in the e-mails. Murphry careens from humorous misinterpretation to grave acts of utter mayhem as he tries to make the world a better place for the True Government and foil the actions of the False Government.

Gardens of Earthly Delight by George Williams

This post originally appeared on I Read Odd Books

Book:  Gardens of Earthly Delight

Author:  George Williams

Type of Book:  Fiction, bizarro (sort of), short story collection

Why Do I Consider This Book Odd:  It’s hard to put into words…

Availability:  Published by Raw Dog Screaming Press in 2011, you can get a copy here:

Comments:  The title of this book references the Hieronymus Bosch painting, The Garden of Earthly Delight and it is in reference to Bosch that I can best explain how it is that Williams is odd.  Williams clearly structured his stories in various manners so as to hark back to that famous triptych – man in paradise, man in sin, man in Hell. In fact, the cover of this book is a fragment of the center panel of The Garden of Earthly Delight – my favorite part of the painting – and is why I decided I would read this book when RDSP contacted me regarding some of their newer titles last year. The cover features, in the midst of extraordinary and intense revelry, a naked couple, reminiscent of Adam and Eve before the Fall. They are sitting in a glass bubble, separated from the chaotic carnival around them, but the bubble is cracking. Before long they will be in the world, no longer in a safe place of innocence.

With a cover like this, I had certain expectations of the stories within the book and Williams delivers. He writes stories that indeed mimic the progression from paradise into hell.  But there was an element to his writing that recreated the cracked glass bubble in a manner I could not have expected. Williams is a minimalist writer, his words echoing the simple, uncomplicated affection the two naked souls in the glass bubble expressed in the midst of sexual revelry.

Additionally, Williams has a muffled quality to his writing that ordinarily would have irritated the hell out of me, but somehow worked well with his subject matter and overall style. There is a remove in his writing, a distance between not only the reader and the story, but the writer and the story as well. Williams writes without using any sort of conversational punctuation, a style I loathe, and Williams is a writer whose minimalist approach definitely keeps the reader focused on the surface of the story.  I never once felt a deep kinship with any of the people in this book because I was observing, not absorbing.  Minimalism as a rule does not interest me much, but Williams’ style is so in keeping with Bosch’s theme conveyed via the couple in the cracked bubble that I want to read more of his work and see if this was a happy accident or quite deliberate.  I hate to invoke his name because he comes up too often as a reference every time anyone reads minimalism, but there is a definite Raymond Carver feel to these stories

Actually, if I think about it, this collection is a Raymond Carver/Flannery O’Connor hybrid.   You can best see that confluence in the story I liked best in the collection, “Dickson.”  In “Dickson,” an unnamed couple have an undetonated nuclear missile that had washed ashore for them to find, despite the Air Force’s frenzied attempts to locate it.  They show it in small towns in Tennessee, charging a fee to look at it. They meet up with a Pentecostal preacher who persuades them to let him use the bomb to show in his sermons in exchange for 20% of the tithes the preacher takes in.  Whether or not the bomb is real will spoil the story but even avoiding spoilers still leaves plenty to discuss.

Fractal Paisleys by Paul Di Filippo

This post originally appeared on I Read Odd Books

Book: Fractal Paisleys

Author: Paul Di Filippo

Type of Book: Fiction, short story collection, science fiction, proto-bizarro

Why Do I Consider This Book Odd: Pia Zadora as a magical Queen of the Pixies. I shit you not. Di Filippo’s id is a magnificent place.

Availability: Published by Four Walls Eight Windows in 1997, the book appears to be out of print. However, you can get a used copy online at various locations:

Comments: Paul Di Filippo was recommended to me by a woman I have a passing acquaintance with in LiveJournal political communities. Once upon a time an author I discussed invoked my mental health and acted really creepy.  The author is on LJ and is a peripheral part of the conservative community there, so when the unpleasantness happened of course my discussion of his book came up several times. Whenever my site is discussed in non-odd-book quarters, invariably people recommend books to me. Generally the recommendations are along the lines of, “Have you read American Psycho?” or “That Chuck Palahniuk is really weird – you should read him.” Which is cool – Bret Easton Ellis and Palahniuk are both diving boards into the pool that is weird literature so I’m glad they are on peoples’ radars, but neither are particularly helpful to me at this point.

But this time I was recommended a truly whacked-out writer and I am the richer for it. Though I suspect Di Filippo is as famous in his own right as Ellis and Palahniuk, not being a fan of science fiction means Di Filippo is completely new to me and his whacked out writing is a thing of beauty. Di Filippo is a very fluid writer and you can read his works very quickly and easily come back to them after interruptions. That came in handy when I found myself stuck at my hematologist’s office for two hours one day. I read the bulk of this book sitting in a cold office waiting to discuss my platelets. Good times! And I cop to the fact that because Di Filippo rescued me from hours of boredom I may be positively inclined toward him on that merit alone. However, I also think this collection of short stories has enough odd merit to stand tall on its own weirdness.

Di Filippo’s book forced me to create a new category – proto-bizarro. While he is not bizarro, per se, he comes the closest to being a bridge between pulp sci-fi and the current batch of hardcore, horror-infused weirdness that I have read. Basic, (mostly) Earth-bound sci-fi blended with pop culture references, fringe culture, high weirdness and elaborate plots – if Di Filippo’s book had included more gore I would consider it bizarro outright.

Most of Di Filippo’s plots can be described thusly: A person finds a thing. The thing is magical. The Magical Thing is used. There are unintended consequences when using the Magical Thing. The Lone Sane Person tries to set things straight, with varying success rates. Di Filippo definitely has a formula and while formulas can be trite, Di Filippo’s formula is sort of comforting. In the midst of high weirdness, having something familiar to fall back on isn’t a bad thing. Besides, formulaic writing is why I read writers like Stephen King. Formula is all that separates fringe from genre sometimes and while some condemn it, I don’t. If one can write well within a formula, that’s what is important, and Di Filippo can write very well within his formula.

But that brings me to an interesting situation with Di Filippo that I have not faced in a long time: There is not a single passage I want to quote here. Weird, right? I am the Queen of Long-Ass Quoted Passages. But Di Filippo is not a writer who is going to wow you with the power of his prose (or perhaps I should say his writing in this book will not wow you). These stories have consistent characters whose behaviors sort of blend into each other. The power of Di Filippo comes from the insanity of his plots. His stories are exercises in fine lunacy, so fine that his smooth, contemporary prose, his characters whose traits span the distances between urban dumbasses to southern-culture-on-the-skids clods without much delineation between the two, fade into irrelevance.

These are some seriously amazing plots. So intricate I am actually afraid to read a novel by this man for fear of what one of his book-length plots would do to my brain. The plots are worth the cost of admission. Plots so fabulous they are works of art.

But excellent plots seldom leave much to quote. So I’ll just synopsize the plots without spoiling them.

Hunger by Knut Hamsun

This post originally appeared on I Read Odd Books

Book: Hunger

Author: Knut Hamsun

Type of Book: Literary fiction

Why Do I Consider This Book Odd: Well, it’s a book without a plot with an utterly unhinged protagonist. Possibly one of the most upsetting books I have ever read.

Availability: This book was originally published in 1890. My edition is from Farrar, Strauss, Giraux in 2008. You can get a copy here:

(If you have a Kindle, dig around because I saw a Kindle version going for free, though that may be because I have a Prime Membership on Amazon)

Comments: I’ve been putting off discussing this book because I don’t know where to start. Hunger really is a book without a plot – in this novel, the same thing happens every day with mild variations on action. There is no character arc because the protagonist is as vainglorious, horribly depressed, and lunatic at the beginning as he is at the end.  This book frustrated me beyond belief and yet I read it through twice because I just had to do it. And as contradictory as it sounds, I hated this book the first read and loved it the second. This is all the more contradictory because even though I loved it the second time, I never want to read this book again.

This book is the literary equivalent of running your soul over a cheese grater. Over and over again. It’s hard to discuss such a book with any skill, though others have. Initially, I thought Paul Auster’s take on this book, printed in the copy I read, was wrong, but later I realized he was correct – he just interrogated the text from a different perspective. He looked at the book from an intellectual perspective and I looked at it from the perspective of someone who has gone insane and felt something akin to pain reading such lunacy.

So I am faced with a problem: how does one discuss a narrator whose highs and lows make Raskolnikov’s public behavior seem normal? How can I discuss a book wherein nothing really changes and there is virtually no character arc? I don’t know. I think all I can do is discuss the parts of this book that resonated the most with me, and even this is going to be sticky because even as I divide the book into specific elements I want to discuss, there will be significant overlap between these elements. For example, as I discuss how the protagonist cannot act in his own self-interests, lunacy caused by starvation also comes into play. In fact, it is tempting to just write the words, “Starvation in a land of plenty will make you insane” over and over until I hit a decent word count. Just bear that in mind – there is a lot of overlap when discussing the narrator’s mind and actions.

Before I begin, I need to mention that I read the edition translated by Robert Bly, widely considered to be the crappiest translation because he evidently “corrected” verb usage to eliminate mixed tenses. Mixed tenses, according to scholars of the text, were to show the disorganization of the protagonist’s mind. So my edition is actually a bit saner than the actual text. Though I sort of wish I had read a more faithful translation of the text, I suspect it is a good thing I read the less crazy version. As it was, the narrator’s mind was an utter vexation.

Hunger‘s narrator is trying to write in a very Dostoyevskian manner. He may be an excellent writer but his topics, “Crimes of the Future” or “Freedom of the Will” lean toward him being a self-impressed hack. His grand ideas are constrained by his grinding poverty and his mental disorganization.  The novel is divided into four parts and begins with him leaving a boarding house (though he could have stayed had he just approached the problem with logic and patience) and living rough. The second part of the novel concerns his attempts to live in a borrowed shack as he tries to write. In the third part, he meets a woman who slowly realizes he is not what she thought he was and the romance is dashed. The fourth section of the novel takes place mostly in a very low boarding house where the narrator, terrified of the cold and of living rough again, hangs onto a roof over his head in a manner so servile and cringing it almost killed me to read it. He finally goes to enlist as a crew member on a ship, which some take as him finally moving on from his despair, but I read as suicide, an interpretation I will, of course, explain. Until then, I will just divide this discussion up into relevant chunks and hope that at the end I have given the reader a good idea of the protagonist and the struggles he faces as he starves nearly to death in a world that often notices him too well or does not notice him at all.

The Cannibal’s Guide to Ethical Living by Mykle Hansen

This post originally appeared on I Read Odd Books

Book:  The Cannibal’s Guide to Ethical Living

Author: Mykle Hansen, illustrated by Nate Beaty

Type of Book: Fiction, bizarro, cannibalism

Why Do I Consider This Book Odd: Okay, it’s like a Jonathan Swift satire mixed with that long riddle people tell on road trips about the man who orders seagull and runs screaming out of the restaurant with a tasty helping of Occupy Wall Street on the side.

Availability: Published by Eraserhead Press in 2010, you can get a copy here:

Comments: Oh, this was a fabulous book, and it gives me an excuse to create a “cannibalism” category. It’s one of those books that is the exception that proves the rule. Hansen tells without showing and 90% of the book comes from the protagonist’s one-sided conversation with a man called Louis, both of which are in chapter one of  What Not to Do When You Write a Novel, but Hansen gets away with it.  Why André’s conversation is one-sided is one of those things I cannot reveal lest I utterly spoil the book. In fact, this is going to be a bear to discuss because I cannot reveal many plot elements without just ruining the book.

Bearing that in mind, here’s as brief a synopsis as my enthusiasm will permit: Aboard the good ship l’Arche, along the coast of an island called Cristobo, André and his partner Marko have been engaging in questionable culinary behaviors. One is that they serve unusual meats to millionaires. They lure in jaded millionaires with offerings like giraffe, dining aboard the ship in monied secrecy. But André and Marko also have an ulterior motive catering to millionaires – millionaires evidently make good eating and André embraces the idea of eating the rich. But millionaires also have friends with ships and the L’Arche is under siege as André and Marko scramble to find a way to escape. Louis, a long-time frenemy of André’s, plays a crucial role in all these goings-on but that’s where I have to stop. To discuss his role will expose too much of the story.

With the synopsis out of the way, but before I begin to discuss the meat of this book, as it were, I need to say that this is one of the better-written bizarro novels. Beautiful word flow, gorgeous word choice, decently-enough edited, I wanted to cry midway through it.  I mean, there were some editing issues, but lately I’ve been smacked in the face and possibly on the ass with several terribly edited books. This book was the reward for not chucking out all the strange literature I try to consume and sticking exclusively with Dickens and Austen until the day I die.

And it’s so wonderful that Hansen got that right because this is a novel that demands intense attention to words. When writing of foodie cannibals, one needs a fussy precision and Hansen pulls it off brilliantly. Hansen conveys the near-neurotic attention to detail that foodies often exhibit. Not being a foodie myself, I have no idea if this is food-gibberish or not, but it sure has a decided foodie-riff to it.

…before you leave this place I will prepare for you my Millionaire in Limousine: steaming roasted loin of venture capitalist slow-braised in Madeira, served on a bed of squid-ink cabbage poached with chestnuts and Lardons Millionaires. You’ve never had anything like it. I also insist you try my Aspic Sweetbreads of Heiress Dissolu, molded in a swine’s head terrine and tiaraed with clove and apple. So light and delicate, you’d think it’s made of perfumed dreams.

You see André takes very seriously the consumption of long pig.

This is no mere restaurant – it’s a cathedral of food! Pilgrims to l’Arche have by our rare and exquisite flavors been transported, transmigrated, have communed with the great mystery, have wept with joy, have been saved.

Eating rich men is evidently quite a religious experience. And it is through monologue like this that Hansen deftly creates intense characterization. André does very little in this book, and he speaks mainly to Louis, who never responds, but at the end you end up with André as a character-in-full.

Eyeballs Growing All Over Me… Again by Tony Rauch

This post originally appeared on I Read Odd Books

Book: Eyeballs Growing All Over Me… Again

Author: Tony Rauch

Type of Book: Fiction, short story collection, bizarro, gently odd

Why Do I Consider This Book Odd: It has enough qualities of bizarro and the gently odd that it is not mainstream reading fare.

Availability: Published by Eraserhead Press in 2010, you can get a copy here:

Comments: I’ve read Rauch before and found his collection of short stories in the book Laredo to be serviceable and entertaining enough to be worthy of a good review. However, Eyeballs Growing All Over Me… Again is a better collection. Less verbose, less neurotic, more confident – this collection is all together a tighter, cleaner, more relevant book. Rauch’s confidence as a storyteller has improved since I last read him. His stories show their purpose without a lot of hemming and hawing, sometimes even eschewing what I would consider a typical ending or a normal resolution. Not every story in this collection worked for me, but those that did not strike a chord likely failed to reach me for subjective reasons. With one exception, there isn’t an objectively bad story in the bunch.

That is not to say there were not problems. Like almost every bizarro book I read, this book had editing problems that were intrusive enough for me to notice. It’s a shame when an author writes a very good book and routine editing does not catch basic mistakes. This is an issue I continue to have with bizarro books as a whole and one I suspect will not go away anytime soon, yet I also suspect I will keep mentioning it until it stops annoying me. The most egregious issue with this book is that hyphens and em-dashes are used interchangeably. The interruption when I read hyphenated words and had to go back because I realized they were hyphenated and not words connected by an emdash was intrusive to the flow of the book. Perhaps this is a problem only in the e-book. Perhaps it was caught and I was reading an old copy. Who knows, but bear in mind this book did not escape the problem I often have with bizarro editing in other areas as well. On the other hand, this book does overcome one of the biggest complaints I personally receive about bizarro – the books are too short. While I don’t mind paying even for short books, I know many look at book purchases using a cost-benefit analysis and often find bizarro books too short for the price. That won’t be a problem with this Rauch collection.

This book is divided into three sections of stories and there are too many for me to discuss all of them, so I will stick to the ones I consider to be the best, though interestingly, I think the story from which this book takes its title is the weakest in the collection.

Population Zero by Wrath James White

This post originally appeared on I Read Odd Books

Book: Population Zero

Author: Wrath James White

Type of Book: Fiction, novella, extreme horror

Why Do I Consider This Book Odd: The extremity of the horror makes it odd by my calculations.

Availability: Published by Deadite Press in 2010, you can get a copy here:

Comments: For reasons that I have discussed in the past, I have been watching Wrath James White’s writing for a while. I was introduced to him via a collaboration that was so bad it remains in my top ten category for worst books I have ever read (Teratologist was the book, the sort of book wherein the protagonist’s name is spelled three different ways in one paragraph). So I sought out White’s web presence and his well-written, interesting blog did not mesh with the hot mess I had read so I gave him another chance. I next read Book of a Thousand Sins and saw that in some respects, my belief he was a far better writer than Teratologist presented him was justified. There were problems with that story collection, but White got enough right that I was heartened.

Population Zero is pretty much a vindication that my instincts were correct. All the issues that I saw in Book of a Thousand Sins were reconciled. Whereas characters might rant for pages on end in BoaTS,  in Population Zero the protagonist’s issues were woven into the plot and showed a character arc. White’s at times baroque writing style was a bit more restrained in this book and his characterization was excellent. The villain in Teratologist embodied Dean Venture when he declared, “I dare you to make less sense!” (Dean also had a terrible problem with his testicles, and the applicability of me telling you this will become clear as you read my discussion.)

There were some small problems in Population Zero that I am going to get out of the way before discussing all that was fabulous. First, the ending left much to be desired and that may just be my feeling on the matter. But the ending felt rushed and given the amount of energy others expended to get the protagonist to the end point, the ending felt wrong. Additionally, as the protagonist goes about his job, he delivers information that become obsolete with the Welfare Reform Act of 1996; tiny little points of social policy that I suspect only I would nitpick because they aren’t too glaring and because they flow well with the story White is telling. There are some small typos, as well. Someone tries to score “heroine” and a character “grinded” his teeth. They’re minor and not that intrusive, but they’re there.

(And it should be mentioned that if you are a social justice warrior, you will not like this book. The protagonist is very unsympathetic to the obese, to the poor trapped on a social treadmill of bad choices, and pregnancy in all forms. The protagonist is also a mentally disturbed, increasingly unhinged killer. In the past, when such a character had very unpleasant ideas, it was called characterization. In some quarters these days, it is a sign of a greater misogyny and class prejudice. I hardly think it so, but I have now given some of my more socially progressive readers clear warning that this book may not be to their tastes.)

Museum of the Weird by Amelia Gray

This post originally appeared on I Read Odd Books

Book: Museum of the Weird

Author: Amelia Gray

Type of Book: Fiction, short story collection, flash fiction, bizarro, gently weird

Why Do I Consider This Book Odd: Because the stories, if not technically classified as bizarro, are bizarro nonetheless. And when they aren’t bizarro, they are gently weird.  Sometimes outright weird.

Availability: Published by The University of Alabama Press in 2010, you can get a copy here:

Comments: I have a favorable disposition toward women named Amelia. I knew a girl in high school named Amelia Beebe and she was one of the most interesting people in high school, but whitebread suburban high school experiences being what they are, I don’t think she and others realized it. I also have a favorable disposition toward those who love cats and the first entry I saw on Gray’s blog was a discussion of losing a kitty to feline leukemia. We lost a kitty to the dread disease and my heart bled for her, reading that entry.

Lest you think I am going to give this book a favorable review because of my various favorable dispositions, please note that I did not know about the cats before I started writing this review, and already had my opinion about the book pretty well formed. Of course I knew her name is Amelia before I began discussing the book, but since I can find it in myself to detest writers with my own name, her name played into my decision calculus hardly at all.

It is her writing that ensured a rave review. Fanciful, strange, unsettling, oddly sweet, vaguely sickening, amusingly awkward, Gray has a writing style that ensured I went back and reread a couple of stories immediately after finishing the book, just because they were that good.

There isn’t a bad story in this collection, and my innate hypergraphia is taking a nap at the moment, so I will just focus on the best of the bunch.

Let’s begin with “Waste.” This was one of those stories that, as I read it, made me feel like I was going a little insane. It’s a strange piece that I found compelling despite the fact that I find eating pig horrifying. Perhaps I liked the story because Gray’s characters explore the whole, “when does it stop being pig and become pork.” A man who works collecting medical waste from doctors’ offices shares odd culinary experiences with his neighbor, a woman with lovely collarbones who works as a line cook in a vegetarian restaurant. Olive is an exotic foodie, creating culinary experiences out of the strangest meats, making a sickening but sweet sacrifice that Roger may not wholly appreciate but at least his experiences with medical waste gave him the stomach to cope. As a woman who loves to cook, is meat-shy, and given to feeling deep disgust for any body process that would require a medical waste pick-up, it was unusual how much I enjoyed this story. Sometimes I enjoy having my disgust pinged, I guess.

Food horror actually played a significant role in this collection. In “Dinner” a woman finds herself with the unenviable task of eating a plate of hair in order to ensure her relationship continues smoothly, even though no one particularly knows why the plate of hair is on the table or even why it is important. A short, short story, this read more like the retelling of an unsettling dream than a story, a dream I have not had myself yet understood.

This dream-like element to storytelling continues in “A Javelina Story” wherein a hostage negotiator finds himself paired with five javelinas at a hostage scene wherein boy scouts are tied to chairs. The pigs just want to eat, the hostage-taker misinterprets their actions and everyone learns an odd lesson.

Many of the stories are flash fiction, so short that you don’t really process the punch until you feel the bruise on your psyche. Take “Unsolved Mystery.” Very short piece about the investigation into a serial killer with a bonesaw. These are the last two lines:

What I don’t say is, God’s a clever bastard and I do respect him. He’s everywhere.

“Thoughts While Strolling” does what it says on the tin. This story spoke directly to my particular sense of humor.

Jim Hale better train his dog.

That dog runs the perimeter of Hale’s yard, treading the ground until he makes a ditch. Dog says, “Hey, come over here.” When you do, that damn dog gives you a recipe for lemon bars which omits egg yolks and disappoints you sincerely. 

Later in the story:

Frogs croaking.

Turn them over and tickle them, the young boys say to the girls. After much conversing and screeching, one brave girl picks up a slick frog, green as a fig. She flips it over so delicately in her small palm that the boys stop their shoving and feel strange for watching. The girl extends one slender finger and runs it slowly up and down the frog’s exposed belly. When the frog urinates on her, she looks at the boys with loathing. She will later go on to swallow two goldfish alive.

“Diary of the Blockage” made me nervous because I can all too easily see this story happening to me. After a particularly upsetting incident involving a large iron pill, Mr Oddbooks can tell you that I will likely die from a foreign matter lodged, “it seems, between my esophagus and windpipe.” The narrator of the story tries to get the substance to come up but cannot. And much like me, she finds it hard to seek help for her problem:

DAY 2

I did not call the doctor. I went so far as to find my insurance card, but I could not imagine the remember Miss Mosely, well she has had a thing lodged in her throat all within range of anyone with half a mind to be within earshot of the the office window. I feel very sincerely that bodily functions have their place, but why would the toiletries and makeup and personal privacy industries all be such multimillion dollar successes if the place for those bodily functions was in public? To say otherwise is to disrespect culture.

This story was really on the mark for me, a neurotic who is determined to stay well enough that I never need to avail myself of a bedpan, though I did once vomit on one of my cats because I was  slow moving due to leg surgery and had stomach flu. I sense this story may be a pregnancy nightmare, too, for the lump in the throat later takes on a life of its own, in a way. All I know is that it was very important to the paranoid part of me that now takes my evening pills in far smaller clumps.

The best story was “The Darkness.” A penguin and an armadillo meet at a bar. The penguin has Fought the Darkness and can speak of little else, and the armadillo has spread vegetable oil on her shell in an attempt to look pretty and shiny.

“You are a penguin and I am an armadillo,” the armadillo said. “My name is Betsy.”

“That’s a beautiful name,” murmured the penguin, who was more interested in the condensation on his glass. “I fought the darkness.”

“You did not.”

The penguin swiveled his head to look at Betsy. He had very beady eyes.

“What’s your name?” she said.

“Ray,” said the penguin,

“That’s a nice name.”

The penguin explains what he means by The Darkness and Betsy really wants to stay on track with flirting, changing the subject, but Ray demands his due.

“I suppose you think I’m some sort of lesser penguin, just because I fought the fucking darkness and tasted my own blood, because I haven’t protected a stupid fucking egg.”

Betsy felt tears welling up. Don’t cry, she said to herself. It would be really stupid to cry at this moment.

“I honor your fight. I did not mean to disrespect you.”

Ray sank back. “It’s no disrespect,” he said. “I’m just a penguin in a bar, drinking my gin out of a fucking highball glass for some reason.”

“I was wondering why they did that,” the armadillo said.

“Doesn’t make any goddamn sense,” said the penguin.

And it really doesn’t make any sense but the story is delightful nonetheless, encapsulating all that is so banal about so much of human interaction in these unlikely beasts as they attempt and perhaps succeed just a little at making some sort of connection. I read this one aloud to Mr. Oddbooks one night, unconsciously slipping into the redneck accent of my youth that I repress as second nature.

This collection was just too wonderful for me. A letter from a woman to her apartment complex complaining about the year’s Christmas decoration contest. One story told the strange tale of a man married to a paring knife and another married to a bag of fish. A man takes up residence in his suitcase, much to the dismay of his girlfriend. Vultures come and loom over an entire town. Bizarre, magical, strange, nauseating stories, all crafted from a mind so focused on my own nightmares and uneasy dreams that I felt myself becoming paranoid at times. Luckily, Gray is such a talented storyteller that her gift was greater than my nervousness and I highly recommend this book to all who find themselves wondering what would happen if one was able to splice Garrison Keillor, Bradley Sands and Raymond Carver into one writing force.

Permanent Obscurity by Richard Perez

This post originally appeared on I Read Odd Books

Book: Permanent Obscurity: Or a Cautionary Tale of Two Girls & Their Misadventures with Drugs, Pornography and Death

Author: Richard Perez

Type of Book: Fiction, transgressive (sort of)

Why Do I Consider This Book: The content is outre at times.

Availability: Published by Ludlow Press in 2010, you can get a copy here:

Comments: I’m in a slump. I don’t mind admitting it. I find myself reading mainstream fiction and sewing cat toys (if you want some, send me an e-mail). I look at the stack of odd books I need to discuss and I decide it’s time to clean the toilet or watch another barely coherent horror movie, and since Mr. Oddbooks got one of those Apple TV things, I have plenty. Lots and lots of really cheesy, really stupid horror movies. And every one of them seems more appealing than discussing books.

Is it a phase? Is my slump due to the fact that the drought caused the back of my house to sink an inch into the dried clay? Is it because I wake up every morning with a primitive need to pray to Tlaloc, begging him to just let it rain already? I’m not to the point that I’ll consider human sacrifice but I can see how it might come to that if this fucking summer will not end. Perhaps I will feel more kindly disposed toward my stack of oddness once the weather finally breaks and I can go outside without needing to go to the hospital after five minutes or so. Perhaps…

So I’m totally forcing myself to discuss books when I really want to be figuring out how to make my catnip fabric fortune cookies more realistic. And you should bear in mind this shitty mood of mine as you read any book discussion that occurs before Central Texas gets five inches of rain and goes two weeks without hitting 100 degrees.

Okay, Permanent Obscurity is not a bad book but it is not a good book either. The protagonist, in addition to lacking self-awareness, is one of the most tiresome, irritating, foolhardy, aggressive heroines you will ever read. She is best friends with a sociopathic, self-absorbed sadist. Together, the two of them, in the bowels of New York, decide to escape from the terrible financial situation they find themselves in by making a porno. Oh yeah, they owe a ton of money to a drug dealer. That should have gone without saying. The porno goes terribly wrong, as you knew it would, ending in a high speed chase and jail time.

The author tries to justify creating characters that irritate and annoy by saying, through the mouth of Dolores:

You better recognize this fact: People are complicated.

People are indeed complicated. Dolores, the heroine, and her friend Serena, are not that complicated, however. There is really only one complicated character in this book, a man called Baby who is in thrall, in a very controlled manner, to Serena. Everyone one else shows clearly how being completely fucked-up often passes for being complicated.

As I read this book, I imagined Dolores, our pregnant and drug abusing heroine, to be what would happen if you crossed the actresses Rosie Perez and Michelle Rodriguez with a fierce, constantly yapping Jack Russell terrier. I imagined Serena, the best friend who is hardly a friend and governed by a psychopathic self-interest, to be what would happen if you crossed Lindsay Lohan and any random porn actress with a Siamese cat.

Ruthless, edited by Shane McKenzie

This post originally appeared on I Read Odd Books

Book: Ruthless: An Extreme Shock Horror Collection

Author: Collection edited by Shane McKenzie

Type of Book: Horror, extreme horror, short story collection

Why Do I Consider This Book Odd: Extreme horror will always have a place on this site.

Availability: Published by Pill Hill Press in 2010, you can get a copy here:

Comments: I think that I may have reached my saturation point in terms of what can horrify me. I can recall the first time I saw the movie Scarface and watched the scene with Angel and the chainsaw. I was still technically a kid and I remember feeling nauseated and light-headed. It was the first time any form of media had that effect on me, but now it’s like every movie has a chainsaw, even the romantic comedies. Even so, it still happens from time to time, that feeling that I might vomit as I am being exposed to something terrible, but not often. The Throbbing Gristle song “Hamburger Lady” is the only form of media I can think of that still upsets me when I am exposed to it. It’s not even the lyrics. It’s the strange, gravelly but warbling siren sound that recurs in the song. My microwave makes a similar sound when the glass plate inside gets unstable, so my microwave also upsets me a little. It’s a sound that always makes me feel desolate, like no matter how good and careful I am that my life could still end up an exercise in pointless brutality disguised as medical advancement, that I could end up in a place of unending agony perpetrated against me for my own good. This is an unpleasant feeling to have come over one’s self when reheating leftovers.

That sense of nauseated terror or grim but panicked fear of pain is what I expect of extreme horror and it seldom happens anymore. It could be because I am too hardened, having exposed myself almost relentlessly to the real and fictional bad men can do. But mostly I think extreme horror often goes for the gross out, cartoonish violence that has no punch after the initial sense of “Gross!” The Three Stooges with cleavers. Luckily this collection has more good stories than bad, and given some of the really unimpressive collections I have read over the last couple of years, just being better than average means this collection stands above the rest.  But little of it was particularly horrifying as I read it, and that which did horrify me crossed the lines of a personal taboo that I suspect fans of extreme horror would not find that upsetting. There was no “Hamburger Lady” equivalent in this collection, but there was enough gross out combined with good writing that allows me to overlook the absence of the sort of extremity that can truly affect me.