House of the Sleeping Beauties and Other Stories by Yasunari Kawabata

This post originally appeared on I Read Odd Books

Book: House of the Sleeping Beauties and Other Stories

Author:  Yasunari Kawabata

Why I Consider This Book Odd: I knew it was going to be a helluva ride when I recognized the name of the man who wrote the introduction to the book.   The writer Yukio Mishima in 1970, failed to inspire a revolt in the Japanese military and attempted to commit seppuku, a form of ritual suicide via disemboweling.  He was then given the coup de gras and was decapitated by a friend who took part in the attempted rebellion.  When such a man gives the introduction to a book dealing mainly with thanatos, with a little eros thrown in, you’re dealing with a very odd book.  This may be the most deeply odd and disturbing work ever written by a Nobel Laureate, though heaven knows I find more and more incredibly odd works written by unlikely writers.

Type of Work: Fiction

Availability: Originally published in 1961, the copy I read was reissued in 2004 and is still in print.  You can get a copy here:

Comments: I finished this book weeks ago but the spectre of writing a  review completely stalled me.  I kept telling myself to get over here and write but I could not do it.  I don’t know exactly why but I suspect it is because I found this book enthralling and repellent.  Amazing and disgusting.  I consumed it rapidly and wanted then to vomit it back up.  Seldom has a book so engrossed me while leaving me so unhappy.

This book consists of a novella, “House of the Sleeping Beauties,” and two short stories, “One Arm” and “Of Birds and Beasts.”  Each work is horrific, beautiful, sickening and compelling in its own right.

“House of the Sleeping Beauties”:  Again, I find myself at war with other people’s descriptions of  what comprises literary eros.  Evidently, eros means soulless sex involving eggs, as discovered in Story of the Eye, or it means  a misogynistic look at a boring old man’s past encounters with women.  How can a book be an example of eros and thanatos when it is all death and no passion?  How can it be eros when there is no love, when there is no sex, when there is nothing but the limited emotional range of the protagonist, an aging man who seems to hate all women?  How can it be eros when the protagonist has no emotional depth or even revelation in sensation from a sex act?  These are rhetorical questions, as I understand why, in a sense, this book falls into the eros and thantos category, but my mind rebels against what many modern critics consider eros. (And perhaps the most important question is why did I read this book so raptly, and I am unable to explain that either, but I did and I suspect most readers find themselves similarly engrossed.)

The tale’s protagonist, Eguchi, is 67-years-old and visits the House of the Sleeping Beauties, a sort of brothel wherein the girls, all very young, are drugged insensate at night so that old men can sleep with them.  The word sleep here is literal, because the old men do not have sex with the sleeping girls as they are impotent due to old age. Eguchi hides what he says is his ability to sustain an erection from the Madam in order to be permitted to sleep with the girls (it may all be in Eguchi’s head – one is never sure if Eguchi is really still virile or if it is wishful thinking on his part).

Indeed, the Madam is not concerned at all with Eguchi’s member when she chides him not to do anything disgusting with the girls.  “He was not to put his finger into the mouth of of the sleeping girl…”  That line haunts me for some reason, but it is clear the proprietress of the House of the Sleeping Beauties does not think Eguchi is capable of any greater outrage against the sleeping girls.  And yeah, Eguchi sticks his finger into the mouth of one of the girls.  Of course he does.  That should almost go without saying.  That finger was the only penetration in the story.

Those who visit the house and go to bed with the drugged girls are themselves eventually drugged, but get to spend time with the sleeping girls while they themselves are completely conscious.  Though Eguchi tells himself that he could, theoretically, do whatever he wants to any of the sleeping girls without detection, tellingly, he never does.  Eguchi’s wants to lay next to a virginal, sleeping girl, because actual sex with conscious women causes him to be exposed to their messy, nasty lives, something he cannot bear.

Another verbose review.

Alice, the Sausage by Sophie Jabès

This post originally appeared on I Read Odd Books

Book: Alice, the Sausage

Author:
Sophie Jabès, translated by Catherine Petit and Paul Buck

Why I Consider This Book Odd:
I initially heard about this book in the sadly ever-increasingly inactive LiveJournal community, Disturbing Books. (Check out the archives over there sometime.) It was every bit as insane and grotesque as I had been led to believe.

Type of work:
Fiction

Availability:
Published by Dedalus in 2007, this book is still in print. You can get a copy here:


Comments:
: This book is a posthumanist hellhole. I say that with nothing but praise.

I could not have loved this book more. In an ocean of chicklit where women strive for beauty and true love at all costs, balancing careers and men and an oh-so-cute bumbling personality flaw, like overshopping or the tendency to be amusingly clumsy, Alice is an anti-heroine who completely destroys herself without ever looking back. Irrational, afraid, unable to see herself as she really is, she commits continual and irrevocable acts of mental and physical violence against herself until there is nothing left for her to do but commit the most lunatic act of degradation.

Alice begins this novella as a beautiful, aloof virgin until a visit with her father destroys her view of herself in a simple yet believable way. Her father tells her she is no Marilyn Monroe and that in order to get by in life she must be nice to men. Alice is lovely, and the reader never really knows why her father says this to her, but those words, uttered distractedly and likely with no greater goal behind them than unthinking misogyny, destroy her sense of self utterly. They create a chasm within Alice that she begins to fill with food, eating ravenously.

Seeking help and comfort, Alice turns to her mother, who is of no help. A vain woman clinging to youth, she dismisses Alice, telling her that as long as she removes all her body hair and doesn’t starve herself, she will be okay. Reeling, and still eating, Alice acts nice to men as her father instructs her, and picks up the first man who really responds to her. She has sex with him, inviting him to visit her the next day. He does return, has sex with her again, and leaves her money, creating a path Alice merrily skips down to her own destruction. She loses her job as a librarian and becomes a full-time whore.

Alice incorporates food and the obviously oral into her acts of prostitution, making the “ice cream cornet” the act that distinguishes her from other prostitutes. I’ll let the reader draw his or her own conclusions as to what an ice cream cornet as a sexual act entails. Alice incorporates food into her sex job, using the money to do nothing more than keep a roof over her head and food in her home.

Alice’s life degenerates. She still takes care of herself in the manner recommended by her mother – eating and removing body hair – but she sleeps all day when she is not performing sex acts, stops cleaning, becomes super-obese, and becomes so repellent that eventually her clients include only an elderly man who wants to take Alice away from her dank, unpleasant life, and a set of good-looking twins who escaped from an insane asylum, Fulvio and Flavio. She sexually services the twins and feeds them even though they have no money to pay her. When her mother steals the elderly client and runs off with him, Alice is left with only the twins, no source of income, and decides to sacrifice herself to crazy love. Eating until she can barely move, Alice plots her end. While I won’t spoil the ending entirely, the title alone should give it away.

The book, while disgusting to the extreme in sections, is also beguiling in its descriptions of the foods Alice crams into herself. The book even contains a glossary at the end so that the reader knows exactly what Italian delicacies it is Alice consumes. Pastas, pizzas, cheeses, sweets – the reader is tempted to join Alice in her consumption, as dark as we know the end will be if we do. But it is impossible not to be affected by the litany of foods recited in the book, making Alice’s end, though utterly insane, seem just a little bit attractive.

There is no hope in Alice’s transformation into something not quite human. She does transform, but in a horrible way, one without any hope in the future. Alice forces the reader to look hard at what it means to be a human being and how being human can go so terribly, terribly wrong. I am skirting the feminist issues raised in the book because they simply don’t interest me as much as the idea that Alice can only escape negative forces by becoming a monster and eradicating herself. It is hard to say if she has free will to become what she does and to do what she does, but the reader at times understands that Alice is in fact in control of her destiny, that she chooses the horrific life she assumes. In complete contradiction to the idea that humanity instinctively chooses life affirming activities and strives for happiness, Alice embraces disgusting, destructive forces she cannot control and that no one seems willing to save her from. At the end, it is difficult to see that Alice is still a human being, and indeed, she is so inanimate and passive that she does not seem human to the reader at times, her motivations and self-destruction foreign to all except the most mentally ill or nihilistic among us. Alice doesn’t even redefine what it means to be a human female in a difficult world. She simply gives in to a basic, gnawing, insecure atavism that renders her humanity worthless.

Posthumanist hellhole. I love this book. It makes up for every fey, twee, charming little bit of girlie-fic I have ever read. For once, beauty, the right clothes, a clever but plain girlfriend, and the love of a good man cannot save the heroine. For once, disaster is not averted. For once, there is no heart warming end to the book that begins with a gorgeous blonde with an excellent career picking out the right clothes to wear while waiting for Mr. Right. It feels good.

The Menstruating Mall by Carlton Mellick III

This post originally appeared on I Read Odd Books

Book:  The Menstruating Mall

Author: Carlton Mellick III

Why I Consider This Book Odd:
  Carlton Mellick III wrote it.  That’s your gold standard to predict oddness.

Type of Work:  Fiction

Availability:  Published by Afterbirth Books in 2005, you can find it here.

Comments:  First thing I have to say is that I like Carlton Mellick III (CM3).  I like him a lot.  I would say bizarro fiction is in my top two fiction genres – the other being traditional mystery, oddly enough – and as the genre’s most prolific writer, there is no real way to love bizarro and not love CM3.

This having been said, I had issues with The Menstruating Mall.  These problems annoyed me to the point of anger in another venue, which was weird because generally I don’t take fiction quite so personally.  I considered whether or not reviewing it here after foaming at the mouth so ill-advisedly, but after considering why I disliked this book, I decided to go ahead and review it here because ultimately, only one of the issues I had with the book really had anything to do with the actual writing of the book, the only thing one should ever mentally associate with the author.

The Menstruating Mall is about a cast of stereotypes – the white kid who thinks he is black, the goth chick, the hot chick, the self-righteous Christer, the redneck, the closeted homosexual etc. – who find themselves unable to leave the shopping mall.  Because the mall is discovered to be menstruating, people stop coming in, and those who cannot find it in themselves to leave hope that once the fertility cycle is over, they can leave.  But before that can happen, murders begin and the stereotypes find themselves picked off one by one by a murderer who challenges the stereotypes that define them.

This book is both an homage to Luis Bunuel’s “The Exterminating Angel” and Agatha Christie’s “And Then There Were None.”  It is not just a book about liberation from consumerism – it is about liberation from all the mindless forces that compel our behaviors.  The deliberately stereotypical characters are humorously and deftly handled, and when some deviate from what is expected of them, it is refreshingly unpredictable.  Most of the book is an entertaining read.  The only quarrel I have with the book that I can lay at CM3’s feet is that I wanted more.  In a way, this is a backhanded compliment, because when I have written fiction and people have commented they wanted more, it was flattering (yet my attitude is generally that what I write is what you get – go figure).  In The Menstruating Mall, I had this intangible feeling that CM3 got tired of writing this book.  The last three pages easily could have been 30.  Mellick made his readers care about the cast of characters enough that what happens at the end is as interesting as what happens in the beginning and middle, and it could have been fleshed out more.

The rest of the issues I had with this book had to do with its appearance and editing.  The font size annoyed me to no end.  I didn’t actually measure it, but it appears as if the book is in 18 point font.   In some of CM3’s earlier works, such large font gave an appearance of a sort of fairy-tale, children’s book vibe.  Even if used ironically, it was a bad choice for this book, which is decidedly inspired by mature tales and contains decidedly mature material.

An end result of what I call YELLINGLY LARGE FONT is that the reader, when ordering the book, thinks they are getting a novel, or at least they are if they go by Amazon’s page count (the book itself, extra annoyingly, has no page numbers).  This was a novella at best.  It is hard not to be annoyed when you realize that a 200+ page book would have been a 50 pager had conventional publishing standards been followed.

Another end result of YELLING LARGE FONT is that any and all editorial errors are all too evident.  All books have editorial errors.  I recall recently reading a supernatural mystery published by a major publishing house wherein “of” was used for “have.”  This was not done in conversation to show a character whose command of grammar was poor.  It was done throughout the entire book.  After what seemed like the millionth “he realized he should of gone to the hospital/toilet/remedial English class,” I had to put the book down.  It was just too painful. Most of the time, editorial errors are not too egregious but even in casual reading, I sometimes find spacing and punctuation issues in even the most immaculately edited books.  It happens.

But when confronted with 18 point font, a book better be edited pretty closely.   I realize most readers are not as overwhelmingly anal as I am, but The Menstruating Mall’s editing set my teeth on edge.  Word substitution (here for hear, phase for faze), misspellings/mistakes (exists for exits) and spacing problems distracted me heartily. Some may place editing in the purview of the author, and to a certain extent it is, but publishers have copy editors. Authors should catch errors in their works but take my word for it – when you’ve worked on even a short story for more than a week, your brain will matrix in what you meant to write, blipping over what is on the printed page.

But most annoying to me were the illustrations.  This is utterly subjective, but I did not like them.  Most reviews of the illustrations are positive, that needs to be said.  The illustrations are parodies of ads of mall stores, and despite the crude drawing style, they were clever enough at first.  But the joke wore thin for me as the ads lost their cleverness and became cruder and cruder, more and more pointless.  On some level, this may have been intentional to show the mind-numbing horror of mall shopping and advertising in general, but the drawings were not good enough or the jokes clever enough to justify the sort of pointless crudeness.  At some point, inversions of advertising became ill-conceived cartoons that just crapped everywhere, which again may have been the point.  If it was the point, it seemed too heavy-handed. When someone who finds poo as funny as me gets bored, it may be the art and not the reaction.

Ultimately, this book will stay in my collection because I like CM3.  I love Fay Weldon and I have absolutely no idea why she thought it a good idea to write She May Not Leave, which was one of the worst and most pointless reads of 2007.  But it’s still on my shelves because I love Fay.  I think that is the fate of The Menstruating Mall, to be kept but never read again, simply because I love the author, find his body of work admirable and want his complete bibliography some day.

Letters to Rollins by R.K. Overton

This post originally appeared on I Read Odd Books

Book: Letters to Rollins

Author: R.K. Overton

Why I Consider This Book Odd: Best collection of insane but utterly fake letters ever.  I ordered this book not knowing the letters were fake, and throughout the book, I kept clinging to hope after hope that these letters were real.  Mr. Oddbooks and I laughed until our bladders hurt upon reading the first letter from Carl Plaske.  This book is meta and was meta before any of us were hip enough to use the word meta.

Type of Work: Humor

Availability: Published in 1995 by Rollins’  2.13.61 Publications, this book is out of print.  Worse, drop shippers on Amazon give the appearance that there are copies of this book to be easily had, making finding a copy an annoying experience.  (Drop shippers are people who make listings for books they do not have, hoping someone will order it.  Once they get an order, the drop shipper then desperately tries to find a copy of the book to fill the order, generally ordering a less expensive copy from someone else on Amazon and having it shipped directly to the buyer.  Letters to Rollins is a circle jerk amongst drop shippers, each listing it and each trying to get it from the other when someone orders it.  Mr. Oddbooks found this at a used book store when I realized I had been duped by a drop shipper who was relying on other drop shipper listings to get the book.  Seriously, when you use the Amazon Marketplace, don’t buy from anyone with less than 97% positive feedback.)

So bear the above in mind if you click this link to get the book.  Or better yet, send Rollins a real letter and ask him to get this book into reprints.

Comments: This is by far and away the most hilarious and random book I have read in a while.  Based partially on insanity,  and partially on the trope that Rollins released an album called “Nap TIme” in 1993 to capitalize on his extraordinary appeal to children, this book contains “letters” from an angry Christian woman, a strange 13-year old girl, a psychotic from Henry’s youth, a youthful offender who wants Henry to send him a letter dammit, an oily publicist, a man playing a one-sided game of Battleship with Rollins, a small child,  a golfing instructor who gives Henry advice on how to avoid common golfing mistakes, and several others.

Utterly random, utterly insane, I cannot help but think this book was inspired largely by the real mail that Rollins actually received (Charlie Manson contacted Rollins out of the blue after seeing him on television).  But for me, a diehard Henry Rollins fan, the true odd delight inherent in this book comes from the fact that people who do not know Rollins’ career may not know these letters are ringers and read this thinking it true.  Mr. Oddbooks, who is not quite the Rollins fan I am, did not know even the most outrageous letters were fake until I told him.  Not even the letter from KROK radio seemed to give it away.

Oh why can we not live in a world as random and hilarious as the one that peoples Letters to Rollins?

Best lines from the book:

From Kimberly Evans, a 13-year old “fan” who renamed Henry “Smokey” and sent him a pic of her cat, whom Rollins evidently kissed at one of his concerts (the girl, not the cat):

Are you mad I didn’t tell you my dad was a cop?  I was afraid that if I told you you wouldn’t want anything to do with me or my letters.  I know you’ve had problems with the police in the past, so I decided not to say anything.

I know my dad tried to raise a stink, and I’m glad the night court judge saw things your way…”

From Carl Plaske, a former classmate Rollins once punched who is going slowly but clearly insane, a state presaged by going berserk in an ice cream truck:

I  guess I went kinda nuts. I turned up the volume and blasted that stupid theme from “Love Story” out those shitty speakers, scaring the neighbor kids and killing a dog as I drove 50 miles per hour down the sidewalks.  I eventually hit a UPS truck.  My license got revoked for a year but no one pressed charges.  They were okay to hire me at Puppet Town, even if they’re idiots.

From Karl Plaske’s father, Joseph Plaske, after Carl went over the edge and started stalking Rollins to the point the FBI considered him a menace and Carl ends up institutionalized:

The institution where he is currently residing does not allow its patients to have writing instruments of any kind, so I have transcribed from his 12′ by 12′ rubber cell wall a letter he wrote in saliva and blood during the incident:

Henry Henry we all scream for Henry

Take his curly shoes and run from the cave.

If you have any insight into what this may mean, please contact me at the address above.

From his publicist, the man behind marketing the infamous “Buddy Ebsen” doll:

Henry,

How is your hand?  My face is still puffed up, but the x-rays showed no concussion, and I’m not going to press charges.

As your ex-publicist, I wanted to say that it has been a pleasure being your publicist, and I’m sorry we had to part under such less than satisfactory circumstances.

From the Project 213, a group of Rollins fans who have been abducted by UFOs:

I send you this letter primarily to let you know that we exist and are helping other Rollins fans know that they are not alone in their dealings with the growing alien tide.

Yeah, I know, there are some purists out there who will not consider this book odd, per se, and I say bite me.  I want to live in the bizarro world of fake Rollins letters, which makes me odd, and the book is therefore odd by association.

Shrouded by Carol Anne Davis

This post originally appeared on I Read Odd Books

Book Title: Shrouded

Author: Carol Anne Davis

Why I Consider This Book Odd: Davis deals with a taboo subject – necrophilia – in an intricately and at times outrageously plotted novel. Readers with triggers should also be aware that this novel deals with terrible child abuse, murder and has elements of rape.

Type of Book: Fiction, novel

Availability: Written in 1997 and published by Bloodlines, this book was reissued in 2006 by Snowbooks. I cannot tell if it is still in print but you can still find affordable copies on Amazon.

Comments: While this book is outrageous in many respects, it is not as visceral as some other books that deal with necrophilia, like Exquisite Corpse by Poppy Z. Brite, an excellent novel in its own right. While the plot developments at time seem extremely unlikely and the ending is rushed, this book is still worth a read. Davis nails her protagonist’s descent into madness in a manner that only Ruth Rendell could have managed more deftly. And when the plot isn’t beggaring belief, the depictions of human frailty and the extremities of the human psyche make this book quite interesting indeed.

Rest of review under the jump. There are incomplete spoilers so be warned.