So sorry for the silence on my end.  I’ve been writing quite a bit, so much in fact that I have written myself into a corner.  Every Cradle Is a Grave came into my life as I was experiencing death and the rage and depression death brings with it.  I have written over 20,000 words about the book and, though I am well-known for my wordiness, that is a wholly inappropriate number of words to use to discuss a book.  I am self-indulgent but luckily I still have a bit of self-awareness and now I am spending time editing so that I can present my frame of mind regarding the book without substituting my frame of mind for the book.  I will have the discussion up early next week.

I will also have another “middle of the road” discussion up either tomorrow or Thursday.

I’ve been immersed in some interesting media and topics this week, one of which turned into a rabbit-hole.  I follow the “Unresolved Mysteries” subreddit and a German user posted about a murder I had never heard of and as a result I have been scouring the Internet, reading crappy translations of old German news articles, finding every detail I can about it.  In 1998, thirteen year old Tristan Bruebach was murdered in such a sexually specific and audacious manner that I cannot believe I had not heard of this murder before and I also cannot believe this was the sole time the murderer performed such a killing. But against all logic, it seems like that is the case.  Seriously, three decades of reading and studying and I have never heard of a murder like this, and there are so many strange details about Tristan, his activities before his murder, and the way he was killed that even seasoned professional criminologists are baffled by the case.

I’ve also been listening to the Michigan band His Name Is Alive almost non-stop.  I don’t know how to describe this sort of music and the band has continually evolved since the late 80s so it’s hard to pigeon-hole the effort.  The only constant member of the band is Warren Defever, with different musicians and singers coming and going.

A friend of mine in college gave me a mixed tape with “Baby Fish Mouth” on it but it was the early 90s, no iTunes and precious little Internet outside of university labs, and tracking down small, indie bands was harder then. I finally got a copy of the album, Mouth by Mouth, and every song was worthwhile, which seldom ever seems to happen. The singer on this track, Karin Oliver, performed with HNIA for several years but evidently is now an account manager at a marketing firm.

“How Ghosts Affect Relationships” is from the album Livonia, released in 1990. It wasn’t until this album got uploaded to YouTube that I could access it. I don’t know if it’s rare or if it’s just that I wasn’t thorough. This is the best song on the album, I think, and it’s a little musical knife in my heart.

“How Dark Is Your Dark Side” is not the best song on Xmmer, a 2007 album, but I listen to it over and over because I love the singer, Andrea Morici. There is something sweetly hypnotic about her voice on this track. I think she may be the best vocalist to work with Defever.

So that’s where I am. Buried in hyperemotional reactions to a book about antinatalism, searching for information about a savagely murdered child, and listening to experimental rock. See you soon with a short entry about two short story collections that disappointed me sincerely.