Brave New Books, Austin

This post originally appeared on I Read Odd Books

Okay, I have to admit I buy the bulk of my books online. Not only do I find what I am looking for but I also don’t have to deal with disapproving glances from hipper-than-thou clerks who can barely restrain themselves from sighing as they see if they can order David Icke from the distributor. There are locally-owned book stores in Austin, Texas, but I’ve come to dislike BookPeople because they harass me to check my purse every time I go in (I could be naked and carrying a change purse and I’d be asked to check all my belongings at the front desk). Ever since FringeWare died a decade ago, I haven’t had a local store that I really like, a place where I can get my odd topics on without being subject to snerts for displaying a lack of intellectual snobbery or apparently being such a crime risk I have to leave my wallet, check book and car keys with a stranger in order to have the privilege of shopping.

So when Mr. Oddbooks discovered that Brave New Books has been operating in Austin for 4 years, I was annoyed that I had not heard of them, but I am also a hermit so it comes as little surprise. Dubious, I agreed to check the place out and am glad I did. In fact, I was so pleased that I may start trying to visit other small book stores around Texas and beyond. Or I may not. I’m a notorious flake. But you never know.

Brave New Books stocks titles that would appeal to those of us with interests in the fringe, lunatic or otherwise, as well as maintaining a nice little DVD section. The store also runs films in a back room, and hosts discussions on relatively diverse topics. On Saturday, July 24, there will be a discussion about the Templars and Christopher Columbus. Leaving my home two weekends in a row seems arduous to me because the only thing I hate worse than leaving my house is leaving my house, but I may well try to attend.
Brave New Books, Austin, Texas

I asked the owner, Harlan Dietrich, to tell me what book in the store he felt I needed to read. Because he is not the indiscriminate conspiracy nut that I am, he recommended The Creature from Jekyll Island: A Second Look at the Federal Reserve by G. Edward Griffin. I had heard some buzz around this book but am sometimes mentally lazy, preferring to read easier, more salacious sorts of books (evidenced by the ones I selected on my own and by the bulk of what I review here) and likely would not have purchased it had he not recommended it.

I also purchased:
War Against the Weak: Eugenics and America’s Campaign to Create a Master Race by Edwin Black
The Illuminati: Facts & Fiction by Mark Dice
Apocalypse Waiting To Happen, The Plagues That Threaten Us All by Dr. John Coleman
Liquid Conspiracy: JFK, LSD, the CIA, Area 51 and UFOs by George Piccard
And, best of all, the last copy of 9-11 Descent into Tyranny: The New World Order’s Dark Plans to Turn Earth into a Prison Planet by local hero, Alex Jones, whom I sometimes mock, but love nonetheless.

And though I am linking to my Amazon account via some of the above links, I only do so when the book I purchased there is not on Brave New Books’ online ordering system or if I know I got the last copy and linking to it could cause the store some hassle. So you can shop there even if you don’t live in Austin – browse the site’s selection as well as their events section. It appears that this store, unlike some of the other independent book stores in town, is contributing to the community with free lectures and a space to watch films. Though I am laughably the worst person to be encouraging community involvement since my own community mainly involves simply the two levels in my own home, I think such engagement is to be lauded and supported. There was a lively political discussion taking place around the front desk while we were there, and the whole vibe of the place just suited me. I encourage you to shop there.

Brave New Books, Austin, Texas

Skinny Bitch by Rory Freedman and Kim Barnouin

This post originally appeared on I Read Everything

Book: Skinny Bitch

Authors: Rory Freedman and Kim Barnouin

Type of Book: Health, diet, veganism

Why Did I Read This Book: Because someone I follow on tumblr posted excerpts and it seemed delightfully and refreshingly rude. Also, because I read some Amazon reviews wherein people were shocked, shocked I tell you, that the authors were pushing a vegan agenda in their book! As if promoting veganism is a terrible, subversive, bizarre thing to do. Needless to say, I was amused.

Availability: Easily obtained, you can get a copy here:

Comments: I am a failed vegan. I fail for a lot of reasons but mostly it is because I am lazy. I was raised with a specific palate and it’s hard to change. Also cheese is an addictive substance and I will refudiate anyone who insists otherwise. I don’t give any excuses for my failure – I fail because I fail, and that’s all there is to it. So I was very interested in this book after reading some excerpts because it seemed like the authors cut their audience very little slack. It also appeared that the shallowness of the title aside, the book was about more than achieving a scrawny body, also examining the disgrace of the American food industry and the complete failure of the FDA to ensure food safety.

My first impressions were right and wrong. The book certainly pulls no punches in its approach. Take this gem, for example:

So before you say, “I could never give up meat,” realize that nearly every single vegetarian on the planet said those same words. Then shut the fuck up, look at an inspirational picture of a skinny bitch, and clean out your freezer.

Yeah, I am just enough of a masochist that those words made me dizzy a little bit. No sarcasm here. I like tough love aggression. I mean, one of the chapters is entitled, “Don’t Be a Pussy.” Seriously. These women don’t want to hear our shitty excuses.

Their refutation of the Atkins Diet made me love them a little:

So shout it from the rooftops until every one of your dumb-ass misinformed friends hears: YOU CAN EAT BREAD AND FRUIT!

And my last crumb of adoration before I start listing my objections:

Give up the notion that you can be sedentary and still lose weight. You need to exercise, you lazy shit.

Needless to say, my elliptical machine has a not-so-fine layer of dust on it. I really need a tough love friend to yell at me the way these women do, because despite their foul mouths and name calling, they also make it clear that this is a process, making these changes, and that every step you take towards eliminating animal from your diet is a step towards saving your health and your life.

But I have some pretty profound issues with this book. First, I must acknowledge that I am a person who has a crush on Morgan Spurlock. I like nothing better than someone who is willing to look into issues and tell us the truth, even if it means being smeared on Fox News. I’ve read almost every major book that discusses the American food industry, from Eric Schlosser to Michael Pollan(whom I have grown to loathe with the fire of a thousand suns or at least the heart of a woman who finds hunting wild pigs to satisfy some primal need to be distasteful) to Frances Moore Lappe. So my first issue with this book is one that may only be specific to me and those like me, but there is little in this book that will be new to people who are interested in healthy food and concerned about the increasingly libertarian, capitalist approach to regulating the food and drug industries. I read nothing in this book I did not already know.

Second, this book puts a couple of lines in to discuss the relative expense of a vegan, organic diet.

Recognize that anything worth having is worth fighting for… Fuck excuses about not having the time or the money… Certainly your health and your body and you are more important than anything else in your life.

Okay, yeah, I sort of get it. I mean, they are right to a point, health is worth fighting for. But money is a finite resource. If you don’t have it, you can’t just say, “Fuck it, I’m gonna pay more for food anyway.” So I was uneasy, but then my uneasiness was substantiated further.

Don’t be a cheap asshole. Yeah, yeah, yeah, organic produce is usually more expensive than conventional produce. But we spend countless dollars on clothes, jewelry, manicures, magazines, rent or mortgages, car payments and other bullshit. Surely our health and our bodies (we only get one body) are more important than anything else in our lives.

The authors make the point in the same paragraph that perhaps the costs will even out because the more you prepare your own meals and snacks, the less money you spend on costly eating out or impulse food shopping.

But this passage above, more than anything else, distills why many bristle at health food vegans. Veganism as practiced in America can be one of the most elitist diets ever. If one eschews animal products and animal cruelty in all forms, everything from food to shampoo to laundry detergent becomes more expensive. The vegan refusal to admit this troubles me.

You see, like many of our peers, Mr. Everything and I are precariously middle-class. I mean, I own a home, we have two cars, one of which is very old, and we can afford for me to spend money on books. We get to run the air conditioner in the hot, Texas summers. Compared to 90% of the world, we are blessed and privileged. But I don’t spend countless dollars on manicures. I’ve never had one, in fact. I wear no jewelry. I use an old computer. My purse is ten-years-old. And I find a vegan diet prohibitively expensive during the winter when the farmers markets are no longer open out here in the ‘burbs. I find vegan, organic products as a whole to be quite a bit more expensive than their non-vegan, non-organic counterparts. So to drill this idea down to its core – I am a privileged person economically and even I find the vegan lifestyle dear economically.

Of course, on paper, many vegans also adopt a less consumer-driven lifestyle and don’t have closets filled with leather shoes, silk blouses, wool coats. But reducing consumer spending can only get you so far, meaning one has to be purchasing manicures, jewelry, and clothes to the extent that such dollars can be reallocated to purchasing organic and vegan foods. I would venture that millions of Americans don’t spend money on frivolities. They are not out buying french pedicures and the latest shoe style favored by celebutantes. They don’t have the money to redirect to healthier food options and to callously suggest that they do makes it hard to make a case for veganism as a truly sustainable way of eating for everyone, not just us reasonably comfortable white chicks who live within 25 miles of a Whole Foods and a regular farmer’s market.

Let me give this as one example:

There are a ton of awesome, soy-based fake meat products on the market, which are great for transitioning away from meat…

I’m glad they included the word “transitioning” because those soy-based fake meat products are so expensive I can’t see buying them permanently. (Also, on a strictly personal level, I have never smelled a fake meat other than bean-based veggie burgers that didn’t smell a little like what would happen if you microwaved PlayDoh but I have always had a sensitive nose.) At my local supermarket, a package of Morningstar Farms Chick’n patties costs $3.49 for 9.5 ounces of product, and Morningstar Farms is a more affordable vegetarian brand. That’s $5.92 a pound. That may not sound bad but bear in mind that this is the cost for a product that would be one element of one meal for a family of four. More exclusive brands cost far more. Fake meats cost far more than regular non-vegan equivalents. People who shop on a budget, especially for families, or those who use food stamps, flat out cannot afford food like this. People without cars who live in areas under-served by grocery chains cannot obtain fake meat from the frozen aisle. Of course, the authors don’t control the food inequity in the USA, wherein the worst calories are the most affordable, wherein some urban areas are under-served by supermarket chains. But this is not the first source I have read that glosses over the financial realities of eating well, making broad statements about how it’s affordable without really explaining the details of such statements.

For example, authors include a chapter on brands they like that offer nutrition, organic goodness and veganism, and overall, I think the list is awesome. But the Peanut Butter Puffins cereal by Barbara’s Bakery cost much more than Captain Crunch by Quaker Oats. At my local supermarket, I can’t even get the former. I have to drive into Austin proper, which requires gas, then spend about $1.50 more per box. The Barbara’s Bakery cereal is far superior, don’t get me wrong, but in order to get it, I need a car, the ability to drive 20 miles round trip, the gas for the trip and the money to pay extra for the product. I have no kids, so the box would last me a while, but the same could not be said for a family with a couple of children. This may seem like I am niggling, but this is important because at some point, we have to admit that the doctrine of veganism and organic eating in general is something only some of us can afford the way the world currently works and to insinuate that it really is just an economic choice for everyone is misguided and, frankly, elitist.

The part about spending money on rent or mortgages being “bullshit” is absolutely insane. Mortgages are not bullshit. Rent is not bullshit spending. It’s how we ensure we have a kitchen to prepare our hopefully vegan meals. I cannot imagine what sort of mindset considers paying rent to be bullshit. I just can’t. It was either horribly ill-conceived or speaks of a callousness that has left the authors so out of touch with that which really matters that they have no problem lumping in the costs of not being homeless with the same money spent on manicures.

Finally, my last quarrel with this book is that it has two versions: Skinny Bitch and Skinny Bastard . In the interests of making me happy, Mr. Everything read Skinny Bastard and we compared books. They are virtually identical, with small differences for sex-specific health concerns. It’s clear the book for women got edited a little for men. At $14 a pop for a new, small format, trade paperback with margins that permit only 20 lines per page, it was not a good investment. And like me, Mr. Everything has read a ton of books on subjects covered in this book already but unlike me, he didn’t like being called an asshole or a lazy shit.

All in all, if you are completely new to veganism, how the government is little help in determining food safety and healthy eating in general, I can see how this book would be of some help. For anyone who already follows the Post Punk Kitchen, for whom Isa Chandra Moskowitz has already revealed the awesomeness of vegan food, who has a battered copy of Diet for a Small Planet on their shelves, or those who don’t like ad hominem abuse, this book may be a miss. I’m not the sort to return a book because the content didn’t come through for me, but if I had a chance to not purchase it in the first place, I’d likely go that route even though me and my big fat ass could use some scolding.

(Also, in a shameless bit of online nepotism, if you are looking for a really good book of vegan recipes, try 500 Vegan Recipes: An Amazing Variety of Delicious Recipes, From Chilis and Casseroles to Crumbles, Crisps, and Cookies, co-written and beautifully photographed by my friend Celine Steen.)

The Lives They Left Behind by Darby Penney and Peter Stastny

This post originally appeared on I Read Everything

Book: The Lives They Left Behind: Suitcases from a State Hospital Attic

Authors: Darby Penney and Peter Stastny

Type of Book: Non-fiction, biography, history, photography, psychiatry

Availability: Published by Bellevue Literary Press in 2008, you can get a copy here:

Comments: This book was an unexpected comfort for me. I walked an interesting road in psychiatric medicine (I can call it interesting now with some distance – at the time it was an unrelenting nightmare from which I feared I would never wake) and the stories of the patients in this book, the psychiatric fads that doomed many of them to inappropriate care, showed me that in many ways the more things change, the more they stay the same, which may sound horrible in a sense, but really it put my own experience into perspective. And despite some similarities between my own care and the care of one of the patients in the book, I feel incredibly lucky to live in the present age, current deficiencies in mental health care notwithstanding.

This book discusses the lives of 10 people whose suitcases were left behind at Willard Psychiatric Center in upstate New York. Painstakingly researched, the identities of the people whose belongings were found in the hospital attic long after their deaths are explored not only in terms of their lives in the hospital, but also in terms of who they were before they ended up at Willard. Though we in our modern ways may see old psychiatric homes as barbaric – and they were in some respects – they were society’s attempt to deal with people who may have had profound problems, most of whom had no where else to go. Many who were considered “incurably mad” found themselves in poor houses, where their behaviors made them subject to terrible abuses. In 1869, Willard took in patients who had been deemed unsuitable for poorhouses and workhouses (and a pox on every person who thinks a return to either is a good idea).

… Willard received only patients from across the state who had already exhausted the public resources of their counties. Even paupers did not want to witness people kept in tiny cells and iron locks, being fed through openings in their doors, never let out until their limbs were crippled. Women were regularly abused by all comers, and the whole business had turned into a matter of public disgrace.

But even as the mentally ill were shipped to the countryside, it bears mentioning that the hospital’s goal was to be self-sustaining, meaning that the patients were required to work in fields or in workshops in order to fund Willard. Moreover, the institution had the perspective that they needed to provide a “morally” correct place for the mentally ill, giving them certain stigma while attempting to help them. Masturbation was cause for alarm and at times confirmation that the patient was in fact quite mentally ill. A sex life was completely off limits to the mentally ill at Willard.

Because of the psychiatric fads of the time, most of the people in this book and likely many at Willard were diagnosed with schizophrenia or various forms of hallucinatory dementia when the fact is few actually had the condition. In a similar parallel to a lack of early understanding of how some psychiatric drugs affect blood sugar and cause diabetes, many patients were put on drugs that caused them permanent neurological damage. Some neuroleptic drugs caused tardive dyskinesia and some doctors did not understand the causation between the drugs they prescribed and the uncontrollable fidgeting they saw in patients.

The psychiatrists who first introduced neuroleptics noticed rather quickly that the drugs caused symptoms not unlike Parkinson’s disease, but saw this as evidence that the medication was working effectively, rather than as an indication that it caused neurological damage… Nevertheless, decades later, when the full extent of the problem had become quite obvious, psychiatrists continued to prescribe these drugs for most patients in institutions, despite their limited effectiveness and the disfiguring and disabling side effects.

If this sounds primitive, we needn’t pat ourselves on the backs too soon for our improved medications.

Second generation neuroleptics, also called “atypicals,” were considered more effective and less likely to cause side effects than the older drugs, which are significantly less expensive. The NIMH study showed that these highly praised medications were no more effective than the cheaper drugs they replaced, while causing a new slew of side effects, including diabetes and heart disease. A 2006 British study had similar results…

People who know well those who are mentally ill, especially those with bipolar disease, often remark that they just don’t understand why sufferers don’t take their medications. Well, you see, the meds often don’t work as well as one would hope, they make you gain untold amounts of weight, can give you permanent neurological problems, diabetes, as well as creating addiction to the drug that makes withdrawal a dicey prospect. The behavioral problems these drugs are supposed to address often are dwarved by the health and further mental problems they cause. Some benefit from atypical antipsychotics, to be sure, but many walk into taking such drugs without a full picture of what the drugs may do in the long run.

Of the ten stories, several were heartbreaking. For example, the Russian emigre who escaped from a WWII internment camp with his wife to New York, where he began creating an excellent life, only for his wife to suffer and die from a catastrophic miscarriage. He broke down and became psychotic after her death, and ended up at Willard, where he spent the bulk of the rest of his life. A folk artist of no small talent, he painted scenes from his native Ukraine. In his suitcase, he kept the flowers his wife had carried during their wedding ceremony in Austria in 1945.

But the person in this book whose story most affected me was that of Margaret Dunleavy, an orphan who left Scotland and was an accomplished nurse in the United States until the intrusion and a complete lack of understanding in the medical and psychiatric world left her confined to Willard for the rest of her life. Margaret had contracted tuberculosis and worked in a tuberculosis hospital, but she suffered several setbacks in her life, setbacks that cost her the job and the lodging that came with it. She was placed at Willard for what was supposed to be a temporary stay that became permanent. She entered Willard with 18 trunks, the contents of which she was seldom allowed access to, her car was repossessed, she was seldom able to see her companion and perhaps boyfriend of many years, and all the accomplishments in her life were dragged from her as her life became that of an institutionalized patient. She described being sent to Willard as being “like a fly in a spider’s web” and she was right. She was ensnared in psychiatric faddery and a tendency by some doctors to dismiss a patient’s pain and to diminish the addictive properties of the drugs they prescribe.

Her trunks were filled with her life’s possessions – linens, carefully wrapped china, diplomas, many pictures of the road trips she took with friends. Her immigration papers, her medical certifications and letters from friends and her male friend, embroidery, patterns, and most importantly, pictures of her with her car. An independent woman, Margaret never married and rare for the time, she owned her own car, traveling on vacations with female friends, her mobility giving her freedom. And unlike many at Willard, she had friends who stuck by her until the end. The depth of her friendships, the loyal bonds that those who are extremely mentally ill enough to be institutionalized for life often have a hard time forming, should have been a clue she was not schizophrenic, but the dogma of the time said she had the disease and she was treated for it until she was a shell of a person.

Margaret, who had tuberculosis and was diagnosed with gastric problems, had a doctor she preferred, driving far out of her way to see him. She was given belladonna and codeine, both of which were addictive to some extent and made any psychological problems the chronically ill woman had even worse. Her worsening health, the worsening health of her male companion, combined with worry about her family in Scotland at the outbreak of WWII, caused her to show signs of fray. Her employers at the tuberculosis hospital intervened in a way that now seems outrageous – they terminated her care, her personal relationship with her doctor and forced her to see a more local doctor. Losing contact with her trusted physician, combined with an abrupt termination of her drug regimen, caused Margaret to break down, landing her forcibly institutionalized for life on the following, extremely insubstantial grounds:

“Annoys people. Accuses people of persecuting her and talking about her. Says switchboard operator listens in on her conversations and that people on other floors can be heard talking about her.”

Once at Willard, her physical ailments were often dismissed as hypochondria, she was diagnosed in the face of all known reason with dementia praecox (an archaic term for schizophrenia) of long-standing, and was prescribed medication that ensured her frail health degenerated more and that if she was not mentally ill before entering Willard, she was certainly mentally unwell when she died there.

Her story is so resonant with me because in the summer of 2008, my mother almost died, I lost two beloved cats within weeks of each other, and I knew I was losing my job. I was in distress, sought help, and in the face of all that I know about myself, accepted a bipolar diagnosis and began to take atypical antipsychotics. What began as an emotionally difficult time morphed into physical misery that I hope I never face again. I was placed on Geodon, within days was shaking, felt snakes under my skin, stopped eating and started hallucinating. I asked the psychiatrist for help and he prescribed me enough Xanax to ensure a terrible addiction. It all culminated in a stay at a psych ward after the voices in my head told me to kill myself. The four day stay in the locked down ward did stabilize me until the voices stopped, but I also left the place on Prozac, Wellbutrin, Xanax, Valium, Trazedone and Ambien. I developed an addiction that almost cost me my marriage because the drugs made me so crazy I wanted to leave my spouse of 15 years. I have shared my experience and while it is certainly not the norm, too many have shared similar experiences of being shoe-horned into inappropriate diagnoses (most often bipolar, the 21st century answer to schizophrenia and dementia praecox), crippling addictions, and doctors who pile medication on top of medication with seemingly callous disregard as to what such drugs may do as they fine tune their patients’ brains.

(And though it goes without saying, I must say anyway that meds help a lot of people. I would never tell anyone not to take meds if they had a realistic diagnosis, understood all the ramifications of taking psychotropics and made an informed decision. My descent into hell had none of those elements involved, and that was the problem. My experience is not a testimony against psychological pharmacology, but rather an encouragement to approach one’s mental health care with information and caution.)

In the course of reading Margaret’s chapter, I was introduced to the idea of the chaos narrative, which helped me make sense of what happened to Margaret as well as what happened to me in the bowels of the psychiatric system.

The chaos narrative is essentially an anti-narrative, because the self in the midst of chaos has no time for reflection or the ordering of narrative in a way that makes meaning. As Frank [Arthur Frank, the creator of the idea of a chaos narrative] puts it, “A person who has recently started to experience pain speaks of ‘it’ hurting ‘me’ and can dissociate from ‘it.’. The chaos narrative is lived when ‘it’ has hammered ‘me’ out of self-recognition.” Chaos stories are hard to hear, both literally, because, in their lack of sequence and causality, they may not be apparent as stories to the listener, and figuratively, because they are anxiety-producing, even threatening, to the listener, a reminder that anyone of us may find herself in this painful state.

In this age when doctors barely have time to get your basic history, it is unlikely many know a chaos narrative for what it is. They hear a rambling patient, who may be fidgeting with nervousness and tension, who cannot sleep, who is plagued by a sense of doom and may be acting out, and the narrative seems indicative of the psychiatric disorder du jour. In the midst of most of these stories, chaos narratives were at play – illnesses, life upheavals, and misfortune – and doctors did not hear the stories they were told.

Modern psychiatric life is different now, to be certain. A heavier emphasis is placed on pharmacology than long-term therapeutic care and those whose mental illness is severe will not have their possessions discovered in disused attics because many are homeless now due to the drastic termination of funding mental facilities experienced in the Reagan administration. It is hard to say which is worse – being in an institution your entire life when you don’t need such care, or being on the streets, unable to get such care if you do need it.

I suspect most people will read this book and feel a kinship with one of the people described through the possessions they left in their trunks, possessions they were denied while they were at Willard because the people in this book, all quirks and bad behavior aside, are so very ordinary, very prosaic. Each trunk represents a life truly interrupted, and in their cases, generally never to be resumed again. Truly a heartbreaking work. I highly recommend it.

House of Houses by Kevin L. Donihe

This post originally appeared on I Read Odd Books

Book: House of Houses

Author: Kevin L. Donihe

Type of Book: Bizarro, fiction

Why Do I Consider This Book Odd: It is bizarro. And pretty gross. But mostly the former.

Availability: Published by Eraserhead Press in 2008, it is still in print and you can get a copy here:

Comments: One of the main problems with being a reviewer when you were once a sort-of-writer yourself is that there will come a time when you will read a book in which a writer had an idea similar to something you wrote about and goes in a completely different direction with it. You will read the book and think, “No, that is not right at all. This would have been so much better if I had garnered the huevos to get my own riff on this idea published.” Then you give your head a shake, realize that maybe the ideas were not so similar after all (and in this case, the similarities are superficial at best) and do your best to judge the book on its own merits. Even after coming to my senses, I still had some issues with this book but ultimately, it was a book worth reading, even if I know deep in the core of my blackened, wannabe heart that I could have done it so much better.

The plot of House of Houses, like so many other bizarro books, is not easy to encapsulate, but here’s my attempt: A man who loves his house so much he wants to marry it wakes one day to find that every house on earth has collapsed. He goes in search of an explanation and meets some interesting people, including a Superhero named Tony, and eventually finds himself in House Heaven, where houses go when they die and people have a fairly disgusting role to play in the construction of new homes. I was made genuinely uncomfortable at times, reading the descriptions of the human work camp, and that’s no small feat with a reader as jaded as I am. Carlos eventually finds his beloved house, Helen, but it doesn’t end well. Like a lot of bizarro books, there is some content in this book that is relatively nauseating. This book, more than some other bizarro I have read recently, is a very good combination of the horrific, the foul, the surreal, and the fantastic. And for sensitive readers with aversions to scenes of extreme human degradation, this book walks a fine line between bizarro and extreme horror. There is often something surreal about the violence in bizarro books, but as outrageous as the plot line in this book, the violence and gore had a very real, human feel to it. So squeamish readers, be aware.

Sometimes bizarro harbors weaker writers whose extravagant imaginations make up for a lack of skill, and that isn’t necessarily a criticism. I feel some of the most admired writers, Tolkien for instance, could tell a unique story but were not so amazing technically. This is not the case with Donihe. His words are well-chosen, his plot familiar yet bizarre, and his treatment of characters absorbing and interesting. The transformation of Carlos, from hopeful lover to quest-taker to mentally defeated cog in a brutal machine, is what makes this book so superior to many of the books I have read recently, including mainstream novels. It is no small feat to make a character so sympathetic and understandable in the midst of the chaos Donihe creates. So the bulk of this discussion/review will be me recounting passages in which Donihe makes us understand the mind of a man who loves his home like a wife and who descends into incredible, frightening and violent situations.

Carlos’ reaction to the devastation of all the homes is not only a look into a mind where the non-human becomes anthropomorphized in the saddest way possible, but it is foreshadowing of what is to come for the humans in this novel.

I feel sad for these homes, but only because they are (were?) Helen’s brothers and sisters. I never knew them like I knew her, never got to experience their unique essences. Seeing them in this state is akin to seeing the corpses of human strangers at a mass funeral.

Carlos is mentally and emotionally tied to houses, beyond and above his romantic love for Helen, and Donihe makes that clear in an expected way.

We pass another person trying to build a replacement house out of what appears to be Twinkies, another from tiny twigs or maybe matchsticks. I’m glad the bus does not stop for them. What they’re doing is a mockery, and I hate it (and them).

A mockery is an interesting way to look at the situation of desperate, deranged people trying to make shelter. Of course to a man like Carlos such actions are a mockery of the real wood and brick houses he loves. (Also, I wonder if there is a bizarro trend in using Twinkies inappropriately. Not long ago it was the President wearing a suit made of Twinkies, now someone is using them to build a house.)

After a while in House Heaven, Carlos’ perspective begins to change. After a confrontation with Manhaus, the head honcho in Heaven, Carlos begins to understand that his love of houses is not necessarily returned, that many houses hate humans for their behavior inside their walls. Carlos uses the word “shack” in front of Manhaus only to learn that is is akin to a racial slur, a word that should never be used in front of any sort of dwelling. He eventually escapes from his dreadful job in House Heaven and as he surveys all that is around him, it is startling how quickly his perspective changes after his time in what is for him a living hell.

The cityscape is stunning, but I still hate it. I want to tear the whole place down with my hands, brick by brick, and then defecate on it. It doesn’t matter how many house souls I harm in the process. Even those who haven’t directly harassed me are guilty, even those who hold no grudge against humanity or even sympathize in private with our plight. Fuck them. Let everything in their lives burn.

Except for Helen, of course, whom he is desperate to find in House Heaven, and a plot line I won’t discuss too much because it’s too important a part of the book to spoil. Just know this insane element: Houses in House Heaven resemble creatures from the old show H.R. Puffinstuff. Yeah. Somehow, that was the most distasteful part of the book. Gah, that show affected my id when I was a child.

Carlos ends up back in the house building industry of House Heaven, and it is an emotionally wrenching, tiring job, converting human beings into bricks in a gruesome, mechanized process. He watches the worst sort of depravity until he goes numb.

Shit happens.
And shit continues to happen, but it concerns me less and less until I notice nothing outside myself. The lever is a part of me, totally indistinguishable from flesh. When others sleep, I pull. The foreman likes my performance. I’m his best employee, but, in truth, I don’t give a royal rat’s ass what he thinks. A lever thinks and cares about nothing, you see. It just opens a door, closes it, opens again.
I want to be more like a lever. That’s all I think about.
And so–with a little time and practice–a lever is what I become.

The ending closely mirrors my own story, which sits on my hard-drive, gathering ether-dust, so almost needless to say, I approve. There were some tricks in this book, like the way Donihe handles the fact that everyone can understand and read things in House Heaven – the language and print are actually in another language but the listener/reader is perceiving it in their native language. There were other small problems with the book, personal to me and not worth mentioning. Ultimately, the reason this book is good, better than than sum of some of its parts, is because of how Donihe handles Carlos, his love for Helen, his mental decline. Carlos could be the hero in any number of war stories: the GI who falls in love with a foreign girl, is taken captive, realizes his captors could not care less if he likes them because of entrenched feelings that have nothing to do with him. It’s a story that is not wholly new but in Donihe’s bizarro universe, it feels fresh.

Overall I liked this book and found Donihe’s writing style vivid, engaging, weird and meticulous. I definitely plan to check out more of his work in the future.

The Minotaur Takes a Cigarette Break by Steven Sherrill

This post originally appeared on I Read Everything

Book: The Minotaur Takes a Cigarette Break

Author: Steven Sherrill

Why Did I Read This Book: I frequently ask friends on other Internet haunts of mine to recommend books to me. This book was recommended by the resplendent Miss Erin James, with much enthusiasm on her part. Since she has good taste, I bought a copy that same day. I initially thought it would be a good book for I Read Odd Books, but it turned out not to be so odd after all, instead quirky and contemplative.

Availability: Published in 2000 by Picador, it is still in print and you can get a copy here:

Comments:This novel, despite having the decidedly unsubtle Minotaur as its main character, is a novel of subtleties. It is a novel in which not a whole lot happens until the very end, but the small sections where the Minotaur is active – helping co-workers move, repairing his car, mending his clothes, performing chores at work, rubbing lotion all over the place where his bull upper body meet his human lower body – are the meat of the book. At times it seemed too slow, but for it to have sped up would not have worked at all, for the Minotaur plods through his life, seldom in a rush. The Minotaur, knowing that he will likely be alive many more centuries, does not need to rush about. The tedium of life, the sheer crushing weight of all the time he has been alive, has not made him nihilistic, but it has enveloped him in a sort of torpor from which only the hope of love can remove him.

The Minotaur in Sherrill’s book is indeed the figure from Greek legend, the half-bull, half-man that King Minos trapped in the labyrinth, bastard, half-breed child from his wife, Pasiphaë, the result of one of those many pranks and punishments the Pantheon meted out when their wills were crossed. But in Sherrill’s book, Theseus does not kill the Minotaur and the Minotaur emerges from the maze, forced to make his way in the real world. This book places him in North Carolina, living in a trailer in a rundown trailer court, driving a Vega that he has to repair daily, and working in the kitchen in a family-style restaurant. If you read this book expecting a magically realistic tour de force, you will be disappointed. If you read this book as a borderline Southern Gothic novel of manners, wherein social roles and customs are discussed in great detail, and you like that sort of book, then this will be right up your alley. Sherrill treats with respect the extreme lower-middle class, never making a mockery out of people who in other hands would become a loathsome Larry the Cable Guy routine.

For me, this novel operates on two levels. The first is how mundane the world is, which is a complete “Duh!” statement, I am aware. But when the world is so devoid of magic and mythos that the Minotaur is driving a Vega and working as a cook, and instead of inspiring fear he creates rather a sort of almost racial discomfort in those around him, the world is not a particularly interesting place. This is not to say the book is not interesting, but rather the world the book creates, a fine distinction but one I hope holds some clarity. The other idea the book conveyed to me heavily is that the Minotaur is used as an Other Everyman. So many novels deal with the travails of normal people in this world, but seldom those among us who are genuinely different. Freaks. Genuine outsiders. The Minotaur’s presence in this book is to show that the world really will grind down the extraordinary. While the Minotaur really does experience a mild deus ex machina at the end of the book, the Minotaur is not restored to his old glory as a menace that inspires fear. Rather, the triumph he carves for himself at the end of the book is little more than the potential love of a plump, hairy woman and a chance to work a grueling job as his own boss. The Minotaur may win, but even as we sense he may have a chance at a better time of it, we never lose fact that if he becomes his own man, so to speak, he will be a prince in a kingdom of Southern Culture on the Skids. His glory days are over. This world really is the best he can hope for.

I think the most interesting part of this book for me, aside from wondering how many years Sherrill himself must have toiled in kitchens in order to write the scenes in the restaurant, is thinking about how human the Minotaur is in how he reacts yet how it is that basic understanding of human behavior eludes him. For example, in a scene in the restaurant as he is waiting for his paycheck, the Minotaur tries to enter into conversation with some trite frat-types, using sexual vulgarity as a means to become one of the boys (in so much as he can speak – the Minotaur’s speech in this book consists of grunts and murmurs). It backfires, as we all know it will. And I wonder how it is that after centuries of living among men, the Minotaur both does not understand how the world of men works and why it is he longs to be a part of it. Of course, I suspect the answer is that as half-man, half-bull, he can understand humans only so much but he never stops longing to be a part of them. The scene where he sleeps over at his bosses’ home, an aging homosexual with an allegedly lurid past and a penchant for historical reenactments, is touching. It makes you think the Minotaur can eventually get this right, that he can eventually find a place among human beings where he can feel accepted.

But then in a scene I will not go into in too much detail lest I spoil the novel, the girl the Minotaur wants goes into a seizure during lovemaking, and his reaction to the situation is utterly baffling. There is no part of the human in the Minotaur that goes into his decision, yet the bull in him clearly is not in charge, either. Perhaps this action in comparison to the Minotaur’s emotional lethargy is what makes it hard to explain. At times, I could not determine what it was that Sherrill wanted me to know about the Minotaur or the world in which he lives.

I think that is why I found most satisfying the scenes in which much detail is given to the Minotaur’s routine. How he eats onions like apples. His grooming routines, which involve coating his long horns with clear nail polish. How he tinkers with his car. How he sleeps without the A/C and listens to his neighbors and sometimes watches them, a hopeful and hopeless voyeur.

All in all, this novel occupies an uneasy place in my mind, which may have been Sherrill’s goal. He created a being whose reactions I sort of understand and sort of don’t. He set the novel in a place in this world with which I am wholly familiar, a place I both love and loathe. I think people should read this book if only to tell me what the hell they think about it. Ultimately, I don’t know. I liked and disliked the book but it resonated enough with me that I am going to put it on my shelves and come back to it one day to see what I think then. It was a finely written book whose purpose may have been wasted on me but may become clear in a second read.

Sebastian Horsley, god speed you black dandy

This post originally appeared on I Read Odd Books

I gave a humorously bad review to Sebastian Horsley’s bookDandy in the Underworld.

Someone left a comment on the review that he died of a heroin overdose on June 17. A Google confirmed this as fact.

You know, I never felt bad taking him to task for being a self-absorbed artiste because I know he ultimately knew he was sort of a poseur as well. His memoir is dripping with jabs at himself, a careful balance of grandiosity and self-loathing. He is not a man who would want to be remembered fondly so much as he would just want to be remembered, period. In fact, one of the reasons people think he died accidentally rather than a suicide is because he would never have missed the chance to write a fabulous suicide note.

But a heroin overdose? God dammit. Just… No. No. He needed to die an old man, tottering around in a dusty, baroque mansion, in a velvet waist coat and shoes with buckles on them, hair dyed defiantly black, a slightly more fabulous Quentin Crisp. But he wasn’t just a dandy. He was a dandy in the underworld. So I guess an overdose isn’t so unexpected, really.

But mostly, I just hate the fact that he died in such a clichéd manner.


Dandy Warhols – Not If You Were The Last Junkie On Earth found on YouClubVideo

I will also never know if he is the person who left this delightfully insane comment on my review. I kind of think it was. I sort of hope it was.

Alice in Wonderland and Philosophy, edited by Richard Brian David

This post originally appeared on I Read Everything

Book: Alice in Wonderland and Philosophy

Author: edited by Richard Brian Davis

Why Did I Read This Book: I got it in January, a release clearly meant to tie in with the Tim Burton Alice in Wonderland cinema release. It seemed interesting to me, so I grabbed it. I am not a person for whom deep philosophy holds much resonance but I reckoned I could hold my own in a book from the Blackwell Philosophy and Pop Culture collection. Turns out I was mostly correct in that respect.

Availability: You can get a copy here:

Comments: Whenever I think of Alice in Wonderland, I always think of a passage from Margaret Atwood’s The Edible Woman, wherein one character is going on at length about his theories and another tires of his monologue:

“The very latest approach to Alice is just to dismiss it as a rather charming children’s book.”

That was always my opinion, too, that it was an outlandish story told to amuse a little girl and that all the analysis many put into the book was all so much hot air. However, there was always a niggling idea that Carroll could have hidden meaning that did not register in my young mind when I read the book. I wondered how differently I might look at Alice in Wonderland if I read this book. I already had the drug culture down, thank you very much Grace Slick. So it was possible there was more to the book and varying ways of interpreting it.

Overall, this book was a disappointment to me, and that may be a user problem, I am ready to admit. I wanted this book to explain the philosophy of Alice in Wonderland. Several articles used Alice in Wonderland to explain philosophy, and if that seems like a fine distinction, it really isn’t. The former explores philosophical points in the book. The latter uses book elements to illustrate philosophical points. You can do the latter with anything. I could, if I tried long enough, find a way to illustrate any philosophical tenet using my cats, organic bathroom cleaners or the content of the junk drawer in my kitchen. You can use just about anything to prove a theory if you don’t mind stretching a metaphor until it almost breaks. That seems to happen a lot in some of these articles, and while it wasn’t what I particularly wanted, the book is titled Alice and Wonderland and Philosophy, which means that my complaint is just me… well, complaining. The book didn’t misrepresent itself. I just wanted something else.

Of the essays that discussed the philosophy in Alice in Wonderland, several were quite informative while still being entertaining to me. “Wishing it Were Some Other Time: The Temporal Passage of Alice” by Mark W. Westmoreland and “Reasoning Down the Rabbit Hole: Logical Lessons in Wonderland” by David S. Brown both satisfied my need to explore the philosophy in Alice yet were easily read and understood by a philosophical layman like me. There were several other very good essays in the book but those two stood out for me as the best.

However, despite the fact that about half of this book was quite good, two of the essays were so bad that I wondered if perhaps it was my lack of philosophical grounding that caused my reaction, but ultimately, I decided it was that the articles were, in fact, not that good.

House of Leaves by Mark Danielewski

This post originally appeared on I Read Odd Books

Book: House of Leaves

Author: Mark Z. Danielewski

Type of Book: Fiction, horror, ergodic literature

Why I Consider This Book Odd: Well, because it is ergodic literature. Full stop.

Availability: You can get a copy here:

Comments: I’ve been away for a while, fellow odd bookers. I sometimes get hung up on a review or discussion and because I am not-quite-right, I cannot move on until I have addressed the issue. I think the problem is that in many ways discussing House of Leaves is not unlike discussing Finnegans Wake. There is an arrogance and hubris involved in thinking you can really get a handle on the entirety of either book. I’ve flirted with the House of Leaves before, but not until recently did I read the entire thing, from beginning to end in one go. By the time it was over my book was in tatters (and I was paranoid enough at the time that I wondered if the book construction was meant to echo the house’s obliteration), I had book fatigue and I barely remembered why I loved it so much in the first place. I left it, didn’t think about it, read some lighter fare and gradually let myself like the book again. Hence trying to review it and sensing that perhaps I understand it but wondering if I am full of shit.

This book. Oh dear lord. I have a wretched habit of bending the page when I find a passage meaningful to me. It’s a foul, filthy thing to do, and as a bibliophile, I hate myself for it, but I was never an underlining or highlighting sort of gal. The hell of it is, I went back to the dog-earred pages and read and read and half the time I had no idea what it was that grabbed me the first time. I comfort myself in my wasted effort that the book was in miserable condition by the time I was through – spine destroyed, pages loose, the front end page fallen out completely. I have no idea what I loved when I was reading it so it stands to reason that this is going to be less a review than a discussion of why I like this book and if it is messy and incoherent, it won’t be the first time and it won’t be the last. All I can say is that when a book is half footnotes, I don’t think it is a cop out to quote chunks of text that speak to me or explain my points.

In this discussion, I need to emphasize two things: 1) In my opinion, Johnny Truant’s story is the reason to read this book and it may seem weak not to address all the text concerning The Navidson Record. But it’s my party, and to be frank, all the details are the trees and Johnny is the forest and I think to analyze all of the endless references and throwaways that Danielewski uses in this book, you miss the humanity of it; and 2) I refuse to change my text color when I use the word “house” or refer to anything having to do with the Minotaur. Just not gonna do it. It seems forced, affected and precious when anyone other than Danielewski does it.

So, with that out of the way, a plot synopsis: An old, blind man by the name of Zampanò dies and in his apartment, Johnny Truant finds an in depth analysis of a documentary film called The Navidson Record. The book recounts Zampanò’s analysis of the film, interspersed with numerous foot notes from Zampanò, Truant and an editor. There is an unnerving catch, however: The film does not exist. Zampanò’s in depth analysis, including copious research, is of a film that does not exist and the resources he quotes do not exist. The analysis becomes so entrenched at times that the reader wonders if the real catch of the book is the “how many angels can dance on the head of a pin” minutia that often goes into academic research. The level of introspection given by fictional research into every element of this fictional movie gives the book so much self-referential claustrophobia that the reader finds herself going mad as she reads it, which, of course, is the entire point.

The written analysis of The Navidson Record tells the story of a family that moves into a house in Virginia. The house is seemingly sentient and able to change itself on the inside without affecting the outside measurements of the house. It creepily rearranges itself internally, becoming larger than the outside proportions, finally creating a hallway that leads into a maze. A search party is sent into the maze with disastrous and appalling results, but at the end of the failed missions, the house collapsing then righting itself, The Navidson Record is a love story, wherein an icy and adulterous model, Karen, finds herself fighting to save her relationship with Will Navidson. Yes, I think it is a love story. I realize just about everyone who has read this book may disagree with my assessment, but the enduring themes of this book are, in fact, love. Maternal love fighting through mental illness, self-love fighting through emotional collapse, and romantic love enduring the unthinkable and impossible.

But for me, as I say above, the reason to read this book is to know the tale of Johnny Truant. Johnny tells the story of his life in footnotes to The Navidson Record, letters from his mother from the Whalestoe Institute, a home for the mentally ill, and a diary he kept during and after his immersion into The Navidson Record. Johnny is a drug abuser, and as the son of a mentally ill woman who died institutionalized, it is hard to say what causes Johnny to drift, then dive headfirst, into mental issues of his own, but Johnny is the heart of this book, the love story of Will and Karen and the peril they live through notwithstanding. Johnny’s story of his life, as he reveals it piecemeal, in a manner that makes it hard to know him if you skip a word, is the reason why I continued reading when I felt I just couldn’t take another damn five-page footnote.

Vile Things: Extreme Deviations of Horror, edited by Cheryl Mullenax

This post originally appeared on I Read Odd Books

Book: Vile Things: Extreme Deviations of Horror

Author: Various, edited by Cheryl Mullenax

Type of Book: Extreme horror, short story collection, fiction

Why I Considered This Book Odd: My arbitrary criteria tells me that I need to review and discuss extreme horror over here. And extreme horror does often fall under the auspices of what is odd because true foulness is often very weird.

Availability: Published by Comet Press in 2009, you can get a copy here:

Comments: I don’t know. Extreme horror just isn’t that extreme for me anymore except in what seems like the pervasive poverty of concept. I’m unsure if I’ve just read so much real extreme horror, meaning nastiness with a real plot and real characterization, and splatter, which makes no pretense about being simply an attempt to gross-out, that it takes a lot to move me. Perhaps I just lucked out in the beginning of my literary life and read good horror, good extreme horror and now little measures up. I mean, you have writers out there like Jack Ketchum and Edward Lee, who write hard content in the course of telling one mean story. The horrific content happens because the tale itself is horrific but you get a plot, you get characters you give a damn about, you get a tight story that draws you in even as it appalls you. Then you have collections like Excitable Boys that are meant to be grotesque and nothing else and present no pretense otherwise. And then you have collections like this, wherein the stories which were meant to be actual stories were poorly written vehicles in which to deliver a gross-out, and not very gross gross-outs at that.

I know, I know, some are going to be tempted to say, “Look, Sugarpants, you just don’t get extreme horror. It’s not meant to be good fiction.” To which I say, “Feh.” Too many writers manage to get it right, marrying excellent story-telling and fabulous gore, for this argument to hold water. Accepting the mediocre because it is gross demeans the whole genre. This collection was neither good stories with extreme content nor a straightforward nausea-fest and as neither fish nor foul, it occupies an uneasy nether land, all the more uneasy because the stories were so… nothing. Nothing to them. It never bodes well when after reading a collection of short stories, I find myself rereading the whole thing because I can’t remember it. Sometimes you need a refresher when you want to discuss a story. You can jog your memory by reading a few lines. Not here. I had to reread entire chunks of many of these stories to recall what they were about, so unimpressive were they as a lot. A few were decent, three were quite good, but the rest were terrible and one so bad I could not get past the first few paragraphs.

It is not too much to ask that a story decide what it wants to be. Be a good tale with nastiness or nothing but nastiness but don’t waste the reader’s time with poorly constructed drek passed off as characterization and plot so you can include some cannibalism or butt-related content. Write something a person can remember after reading it, dammit.

The Woman Who Walked into Doors by Roddy Doyle

This post originally appeared on I Read Everything

Book: The Woman Who Walked into Doors

Author: Roddy Doyle

Type of book: Fiction

Why Did I Read This Book: This was a case of a title grabbing me when I was at Border’s Books and I bought it on a whim. I almost didn’t buy it because Mary Gordon had a blurb on the back and I responded very negatively to the book I read by her recently, but I’m glad I read it. Very glad.

Availability: Penguin Books is the publisher and you can get a copy here:

Comments:: I fell in love with this book. Absolutely in love. I will, bank account issues be damned, soon order all of Roddy Doyle’s work. There are moments like this in my life, when I read an author and it feels like the literary equivalent of falling into deep, romantic love, wherein you know in advance that even if the object of your affection may fail you in some regard in the future, the sum total of their wonderfulness and compatibility with you will overshadow such moments.

Paula Spencer is an alcoholic mother of four. She cleans homes and white-knuckles her way through her evenings, controlling the times in which she drinks but still drinking far too much. She is a widow, but before her worthless husband died in a robbery attempt gone bad, she threw him out of the family home, a violent catharsis that in the hands of a less honest writer would have been the prelude to saccharine moments in which Paula’s life resolves itself. Her relationship with her sisters would have improved, she would have been able to help her addict son, she would have gotten sober herself and done something more than clean houses.

But Doyle understands that life might have a moment wherein a paralyzed person is suddenly capable of action, but that a moment of clarity does not a changed life make. Doyle shows the arc of Paula’s life as she gradually loses more and more innocence, slowly becomes more and more broken. This novel, better than any novel I have read in recent memory, tells the story of how men defined the world of women, from their actions to their words, and how hard it is to overcome such intrusive beginnings.

This is a book wherein lines and sometimes entire sections resonated deeply with me. Paula’s life was one spent in a world where men acted inappropriately, where men did not protect girls and actively harmed them in some cases, where people blamed women for getting beat up, where even fathers who never physically harmed their children cannot be trusted emotionally. This book was mostly amazing because Doyle shows how a character can hold a multitude of feelings, opinions that can seem contradictory, yet ring very true nonetheless. Doyle’s ability to show the multitudes within Paula shows him as a keen observer of human nature and a fine writer, able to accurately convey complex emotions with the beauty of an accomplished story teller yet with complete honesty.