2083 by Anders Behring Breivik, Part 4: All About ABB

This post originally appeared on I Read Odd Books

Now begins the last installment of my look at 2083.  If you’re just now joining the discussion, this is the fourth in the series.  You can click these links and go straight to Part One, Part Two and Part Three.

Throughout the previous three looks at Anders Behring Breivik and Fjordman, I did my best to remain on topic with the text only.  I still will derive most of Part Four from the manifesto text, but I will also be using information from the news and other sources as I discuss what I think this text reveals about Breivik.   If one reads the text closely,  Breivik reveals a lot of answers to questions that are troubling people.   I also think the text reveals a lot about Breivik’s motives in a way that gives lie to the idea that stopping Islamic immigration and ending what he refers to as cultural Marxism were his only goals.

In Part Three I mostly discussed the things that Breivik planned and the things he actually did.   Because of the level of plagiarism that Breivik engages in throughout the manifesto, it is hard to look at his writing and know if the words are indeed his, but there are patterns that emerge, times when it seems like writing flows and when it seems like he is parroting ideology from others in an awkward manner.   When he writes from a place of experience or a place of emotion, it flows smoother and simply feels more real.  So I tell myself that there are times I know I am reading Breivik’s actual thoughts, as well as text that is not plagiarized.

I need to explain that I am looking at his manifesto the way I read any text.   I am looking at the whole of the document – how it is arranged, how the writing appears, what Breivik considers important, what he does not.  There is truth in this manifesto of lies.   You know how it is when a seasoned poker player can judge the hands of the other players at the table?  It is because the other players, even as they try to present a flat demeanor, have what are called “tells.”  A finger twitches, eyes dart to the left, someone unconsciously clears his throat.  And the experienced poker player knows.  Breivik’s manifesto is littered with tells.

While I hope I am not sounding too arrogant, I am a reasonably good “poker player.”   I’m no expert on literary construction.  But I fancy that because of my time in the trenches of odd books, strange books, bizarre books, and the people who naturally accompany such books, I have a pretty good grounding in the unusual mind.   I also had some excellent teachers and professors in my day who instilled in me a habit of engaging with words in a manner that, at times, makes reading very involved for me.  So I fancy that I enter into Part Four with some skills for analyzing text.

But at the same time, I will be engaging in psychological analysis of Breivik that should likely be taken with a grain of salt.  In a way, psychoanalyzing him will be no different than analyzing other literary characters because in its way, this manifesto is as much a piece of fiction as any novel.   I don’t need a psychological degree in order to discuss the mental state of Emma Bovary, Gregor Samsa, or Catherine Earnshaw.   But if I acknowledge that I am analyzing the text in the same way that I would a fictional novel, hopefully that will make it clear that this is just speculation.   Once the professional psychological reports come back,  I have no doubt large chunks of this entry will be proven completely off-base.  As you read this, please keep in mind I am doing my best to discuss Breivik in relation to what I think his manifesto tells me about him, with some news articles to bolster the opinions I posit. I could be very wrong.

And all that having been said, I think I’m right on more than I am wrong.  I wouldn’t have written all this out if I didn’t have some belief I was right.

So let’s look at the insight the manifesto text gives us into the mind of Breivik.  Let’s look at how his text arrangement and emphasis show his priorities.  Let’s talk about what some of his plagiarism really means.  Let’s look at how so much of what he writes contradicts itself.   Let’s see if some of the initial media responses to him are borne out in his manifesto. Let’s see if we can pin down the mind of a killer via the words that meant so much to him.

2083 by Anders Behring Breivik, Part 3: Breivik

This post originally appeared on I Read Odd Books

Before I begin discussing Anders Behring Breivik’s words from 2083, I want to remind any new readers that this is a four-part series.  You can read my take on Fjordman’s articles from 2083 in Part One and Part Two.

I am dreading writing about Anders Behring Breivik.   Whether I understood it consciously or not, I began discussing Fjordman because he was so much easier to write about.  His words, even as they appalled me, were words I knew he thought were true, plus there is the added benefit that he never killed anyone.  Fjordman’s passion indicated that he was emotionally connected to his dreadful topics.  At no time did I feel like I was reading the whole truth when I was reading Breivik’s own contributions to his manifesto.  Many times he read emotionally flat even as he was discussing war and executions.

I don’t think anyone will ever see the real face of Anders Behring Breivik and that is why I dread writing about him.  He wears many faces and in so doing, hides his real motives.  He is a man who carefully constructed an image before his rampage and is carefully maintaining that image even after his arrest.  I can make no assertions that I have nailed Breivik because I am not a psychologist.  All I can say is that as a person who has a vast interest in strange ideas and strange people, I have met many people who had or still have ideas I find anathema to a healthy world.  Some of these people were friendly, intelligent and affable and their strange beliefs took back stage to the whole of their personality.  Some were dark, dangerous people whom I never hope to see or correspond with again.  But every one of them was a real person, charming and glib, or earnest and odd, or determined and frightening but there was a core of humanity to them that could not be denied even as I was appalled with elements of their ideologies.  Even when I wanted to shake Fjordman, the reason I wanted to shake him was because he is real, someone whose words could create an honest, human reaction.

The same cannot be said of Breivik.  Even taking into account the number of articles he reproduced from Fjordman and other Islamophobic writers, there was not much of Breivik present in his manifesto.   That sense of no one being at home was not helped by the fact that he often reproduced chunks of text from other writers without attributing it, leading to the impression that those words were his.  He outright plagiarized Ted Kaczynski.  I swear at times I felt like I was reading slightly repackaged essays from William Lind.   Hundreds of pages of  Breivik’s interpretation of historical events, political actions and religious beliefs, all as absorbing as entries from supermarket encyclopedias.  And about as facile, too.  His criticism of political correctness/cultural Marxism showed about as much understanding of the Frankfurt School and reactions to the New Criticism as an answer to a high school essay question.  And one assume those high school essayists would know not to crib entire entries from Wikipedia.

All of the plagiarism accusations, all of them correct, popped up after the manifesto was discovered and bloggers ran it through software that detects unfair usage.  People seemed jubilant in a manner I could not understand because, on its face, who cares if a mass murderer of children plagiarized his brick of a manifesto?  There are far more moral issues to discuss when talking about Breivik.  The plagiarism, rather than being one more example of the criminal nature of Breivik needs to be looked at in terms of what it represents.  Plagiarism is a form of lying, a form of intellectual theft, and when one steals the ideas of others, it can point to the notion that the plagiarist is trying to either align himself with ideas he thinks are brilliant or he is trying to cover up a lack of confidence in his own writing.  I think Breivik’s plagiarism points to both but it also points to something else I will discuss Part Four.

There were moments when Breivik wrote in an extemporaneous, personal style, like in the sections where he reproduced his diary and discussed actions he truly performed.  But even when he was talking about himself, he often used trite devices to distance himself from his exposure.  It was as if he realized he was talking about himself too much and wanted to distract from it, but couldn’t stop writing about himself even if he tried.  For instance, he produces an “interview” called  “Interview with a Justiciar Knight Commander of the PCCTS, Knights Templar” and for a few minutes, I thought that maybe, perhaps I was reading the words of a compatriot in Breivik’s scheme.  He makes references to having comrades in arms as well as ideology.  But no, it was an interview with himself (and whether or not I think the text proves he acted alone is something I will touch on in in depth my fourth article).

When someone who borrows ideology from others, when someone plagiarizes the key points of his manifesto, when he writes as if he has a book open in front of him, yet carries on an interview with himself that goes on for 64 pages, that is a clue of sorts.  That clue is that his personality is more important than his ideology.  I will later make the assertion that Breivik has a personality disorder, an armchair psychiatric diagnosis to be sure, but for now, Breivik to me is sui generis because he is so bland and so self-absorbed.  He is a media-age monster, grooming his image before and after his rampage.   It is almost as if how he is perceived is more important than how his actions are perceived, and that will be a key discussion in my part four.

As a woman who knows far more about mass murderers and sociopaths than I ever planned to discover, Breivik is a monster unto himself.  He lacks the simmering hatred with a catastrophic trigger that is associated with most mass murderers.  For a religious man, who discusses Catholicism as a means of conquering his greatest foes, he talks about it dispassionately and incorporates little of it in his daily life, the Knights Templar cover notwithstanding.  In fact, the only time I sensed Breivik was showing emotion was during the first pages of his manifesto when he discusses the utopia he feels like he lost out on because of cultural Marxism, and during some of the discussions of cultural Marxism itself.  When he expressed anger in the sections about Islam, the anger very much seemed borrowed from other writers.  I sensed none of Fjordman’s urgent paranoia.   In fact, I wonder if Fjordman was Breivik’s favorite writer because Fjordman had something Breivik lacks – a passionate identity.  Breivik’s utter lack of self outside of his interest in his appearance is remarkable.

Breivik, even in his manifesto, comes across as vain, isolated, and more of a Walter Mitty fantasist than a mass murderer driven by religious bigotry.  At times his manifesto read more like an RPG manual, casting a strange light over his use of video games to train.    I wonder if, in a narcissistic haze, he saw all of his victims as two-dimensional characters in the self-centered game going on in his head. He comes across more as a man trying on roles – Mason, Knight Templar, Eurabian theorist, chemist, marksman, international criminal and male model – than a man who was driven by hate for Islamic immigration or such deep love for his country he had to protect it at any cost.   And there is a reason for those disparities, one all too common.

The reason is that Breivik is a liar.  He lies to himself and he lies to us in his manifesto.  He hid a key motive for the murders behind hundreds of pages of vaguely relevant information. He isn’t crazy – people with personality disorders can be terribly deluded but they are not insane.  He is simply a fabulist, a man who hated the life he was born into and the life he had come to live and was willing to do anything to redefine himself.

Does this mean he was not influenced by Fjordman?  Of course he was.  I think I made my case for how it is Fjordman’s violent rhetoric influenced Breivik.  And in terms of common sense, you don’t reproduce article after article from another writer in your mass murder manifesto unless you are influenced or inspired by them in some way.   Even had Breivik never read a word of Fjordman’s work, it still would have been violent, bigoted and misogynistic.   It is just Fjordman’s great misfortune that his loaded mini-manifestos found a reader willing to take his words to heart.  But I think Fjordman may have influenced Breivik in a way that no one could have anticipated, a way no one can hold Fjordman responsible for.  I think Breivik, who already had distaste for Muslims and feminism, found Fjordman so intoxicating because he longed to have the influence that Fjordman had and probably still has.

Fjordman was a part of a tightly knit group of Islamophobes online.  People in that oeuvre looked up to Fjordman.  They found him to be a great thinker.  And Breivik even wanted to meet Fjordman but was rebuffed.   I cannot entirely make the case that Breivik had an ideological and sociological crush on Fjordman, but it sure seemed likely when I finished the manifesto.   And this is a stretch, but I also wonder how Breivik truly felt about Fjordman refusing to meet him.  In his manifesto, he makes little jabs at men who blog and do not act.    It is sheer speculation but it has a ring of truth to it that if Breivik could not meet his idol, if he could not become a part of the thinkers who fueled his ideology, he would best him in some manner.

But that’s just one of the theories floating in my head.  While Breivik was decidedly an Islamophobe, there definitely other motives that fueled his rampage.  The very way he begins his manifesto is a very good clue that he has mixed motives.  The beginning is not an overview of atrocities attributed to Muslims, but rather a discourse on how the family of the 1950s cannot exist in a politically correct world.  I intend to make the case in Part Four that Breivik was as equally motivated by twisted emotions about what he considers the destruction of his own family as he was the need to end Muslim immigration in Europe.  Though in his manifesto he gives a reason for why he did not shoot Muslims, the fact that he shot young people, teens, having fun at a summer camp, speaks to motives in addition to Islamophobia.  It is more in line with his loathing of cultural Marxism, but even that only goes so far.  By shooting teenagers, he violated even his own outline of the “traitors” who needed to die first.  He shot to death dozens of teenagers because he was striking out at a country he felt deprived him of the family and youth he thinks he deserved and missed out on.

So, in my estimation, Breivik is a liar both to himself and his audience, and his motives go further than just a look at his hatred discussed disjointedly and blandly in his manifesto.  Given that much of his manifesto is the work of others, either attributed or plagiarized, and that his pages and pages of historical revisionism and examples of Bad Things Muslims Have Done Over The Past 1400 Years are just regurgitated facts from Islamophobia sites, I don’t even see the point of discussing them.  Discussing Fjordman’s anti-Muslim beliefs is discussing Breivik’s anti-Muslim beliefs.  You can find analysis of those parts of his manifesto elsewhere, and in the comments on those sites you will find refutations that are then refuted and in turn there is more refutation but there is never a conclusion.  A True Believer in conspiracy theory cannot change his or her argument and non-believers are foolish even to try and convince them to see reason on an online venue.  So I am not going to examine all that minutia and those “facts” repackaged and filtered through Eurabia conspiracy theory.  It would just be my facts against their facts and it would be a colossal waste of time.

Instead, I intend to examine this manifesto in two ways.  In this article, Part Three, I want to discuss the framework Breivik set up for the massacre and the things he actually did to prepare.   I warn you – Part Three is the  least interesting part of my analysis and probably reads that way.  But it is worth looking at, I think.  Breivik  may be lying about some of the things he did, but that framework at least seems to have some authenticity to it.  The framework, in which he analyzed who should be killed, how to go about it, evasive maneuvers, etc. was clearer and seemed less copied and false than all the facts he vomited up.

There are some out there who seem to think this manifesto should not be discussed at all because parts of it read like The Anarchist Cookbook combined with some volumes from Paladin Press and to discuss it is to aid in the dissemination of such information. I find that laughable at best because there is nothing in this manifesto that the average teenager cannot find in several minutes using a Smart Phone.  Moreover, refusing to look at this section because it is deemed too dangerous to discuss just perpetuates the thought that Breivik had to have had help or financial backing, and feeds the fear that there is a sinister group of people training to kill Muslims and liberals in Europe.  If nothing else, this manifesto shows what the so-called super-empowered individual can accomplish on his own, which is cold comfort, I know.

All of that having been said, I don’t intend to reproduce any content that could prove a legal liability to this site or to my web hosting service.

In Part Four, which will hopefully come no later than early next week, I will discuss common questions the manifesto answers, Breivik’s emotional motives that fueled the murders, what I consider to be a personality disorder that is evident even to those who did not read 2083, and other inconsistencies and issues that cropped up as I read his “interview” and his diary.  That, I think, will be infinitely more interesting than this discussion.

But if you’re still here with me, let’s discuss Anders Behring Breivik.

2083 by Anders Behring Breivik, Fjordman: Part Two

This post originally appeared on I Read Odd Books

Today begins the second part of my look at Fjordman, the blogger who inspired  and was frequently cited by the Norway killer, Anders Behring Breivik (whom I will refer to as ABB throughout the rest of this discussion).  If you have not read part one, have a look at it here.

It would appear that my discussion of 2083 went a little viral, so welcome new readers!  I also welcome all comments, even those that may disagree with me entirely.  I encourage people to stick to reactions to the text but, of course, I understand political discussions will be inevitable where such a document is concerned.

It should also be mentioned that yes, I am verbose as a rule. Sorry about that but if length bothers you, you likely were not going to be interested in a quote-laden discussion of a 1500 page manifesto anyway. Also, please bear in mind this is a discussion of the book, not a review as such. I’m not judging the literary merit of the manifesto as much as I am just trying to reveal what the manifesto really contains and the minds of the people involved. I mean, I guess someone could review Mein Kampf or The New Libertarian Manifesto with an eye to the quality of the prose, but I really don’t recommend it.

2083: A European Declaration of Independence was so much more than a look at anti-Islam viewpoints that led to murder.  It contains a number of critiques, from how hip hop music is destroying black culture in the United States to misogynistic rants that contained rape apology.  It has reproductive ideas that sound like science fiction and instructions on how to make poison bullets.  It is all over the map. In many ways, I am glad I read this because it is a mistake to think that ABB was a lunatic who was just gunning for socialists whom he considered responsible for Muslim immigration.  His master plan, derived from the ideas of other thinkers, had something unsettling in store for almost everyone who wasn’t a white man. As progressive as we like to think we are, many of the more virulent ideas present in 2083 are rampant in political and social elements in the United States.

ABB is only a monster to us because he took his ideology to heart and shot people instead of blogging about it.  But he is only unique in how he displayed his hate.  And he is even less unique when you realize that all of his ideas came from other people.  As I said in my first article, in so many ways, Fjordman is more interesting to me than ABB, because Fjordman’s brain is on display here far more than ABB’s.  ABB is violently derivative.

This second part of my look at Fjordman will be when I show my snark teeth a bit more because it is going to cover  his misogyny that at times gives lie to his nationalist leanings, the messy contradictions present in Fjordman’s theories, his misuse of pop culture and literature, and some of the utterly bizarre things present in his writing.   Yeah, there will be snark.  I won’t be able to help it. Also, part two is mostly just a reaction to some of the more bizarre elements of Fjordman’s thought processes and misinterpretations. Mostly, this will be a look at the mind of a man who really is driven by hate to the point that he is rabid, inconsistent and just flat out weird.

Though I also mentioned in Part One that I find Fjordman infinitely more interesting than the murderer who cloaked himself in his ideas, Fjordman did not ask for any of this.  I did try to make a case that Fjordman engaged in rhetoric that seemed fated to send a True Believer on a violent rampage, but the fact is is that Fjordman was writing in that false, protective cloud that seems to envelop so many bloggers.  We write and write and write and it never seems possible that we could, without overtly meaning to, inspire someone to shoot up teenagers on an island.  Blogging is a new weapon in the arsenal of using the written word to change the world and Fjordman has, for me at least, become a cautionary tale.   And as I said before, Fjordman is not pitiful, but he is definitely pitiable.  That is, he is pitiable when he isn’t actively pissing me off.  There are some things that no woman outside of the stay-at-home-daughters in the Vision Forum can read and not be filled with disgust.

So let’s begin Fjordman: Part Two.

2083 by Andrew Berwick, aka Anders Behring Breivik

This post originally appeared on I Read Odd Books

Book: 2083: A European Declaration of Independence

Author: Andrew Berwick, real name Anders Behring Breivik

Type of Book: Paranoid manifesto, conspiracy theory

Why Do I Consider This Book Odd: Sigh…

Availability: It’s all over the Internet.

Comments: (edited to add: I mistakenly refer to the site Gates of Vienna as Gates of Brussels several times in this discussion. Mea culpa and I would change it but this article has been reproduced several places and the mistake is sort of cast in e-stone. Just know that the site is Gates of Vienna.) When I learned that the Norway mass murderer had salted his manifesto all over the Internet shortly before he went on his rampage, I knew I was going to have to read it. After all, I read odd books. And more to the point, I have an unapologetic interest in the aberrant mind. From all the commentary I read online and from news reports, Anders Behring Breivik was a fundamentalist Christian, he was a fascist, he was a racist, he was an Aryan supremacist, he hated Muslims, he was a loner, he was a part of a larger anti-Islam group, he was a lunatic, he was a mastermind – he was all kinds of inconsistent things and I wondered what was correct and what was the typical media rush to judgment.  I wondered if the people who were postulating about him and his sources had actually read the manifesto.

So I read it. Every last word. I will admit that at about page 1200 things at times got a little vague for me. Reading every word of this disjointed, strange monster of a manuscript would make even an Adderall addict bleary. I also admit that after a while, all the articles explaining the horrors of Islam and all the terrible things Muslims have done wore a bit thin. I have a feeling that were I forced to read some of them again, it would be like I was reading them for the first time. That’s okay  because all that “evidence” was not likely to be of much interest to me anyway. It’s largely unimportant because I examined this manifesto from the perspective of a person interested in strange minds and conspiracy theory. On both fronts, this manifesto was quite interesting.

Strangely, Anders Behring Breivik (to be called ABB from here on out) is not the most interesting part of this manifesto. Rather, it was the cast of characters who led him to the conclusions he reached and provided confirmation for his strange ideas. Most notable is Fjordman. So notable is Fjordman that I intend to devote two entries to discussing him. Initially, I declared Fjordman to be a complete asshole, and parts of that assessment still seem true, but as I reread and wrote my discussion, I began to find him pitiable. Not pitiful, but definitely pitiable.

Fjordman, who revealed his identity recently as Peder Jensen, a 36-year-old man who seems largely unremarkable, greatly inspired ABB’s thoughts and the terrible rampage that killed 77 people. Because Fjordman influenced many of ABB’s ideas, it seems logical to me to discuss him first. You see, though much of this manifesto consists of articles from other writers, the bulk of the articles came from Fjordman. If you have not read or browsed the manifesto, many articles from anti-Islamists are reproduced in full in the manifesto. Part two of this three-part manifesto was almost a static wiki of articles from other people. Though my eyes admittedly glazed over at times, I believe I counted 40 articles from Fjordman reproduced throughout the 1500 pages. Though there are articles from other writers (one of them a hilarious pearl-clutching treatise on the horrors of rap music), Fjordman’s words take up the most space and show a very clear path of how his words affected ABB. Though there are theories about a Brit in Malta who may have influenced ABB’s rampage, the fact is Fjordman’s paranoiac and violent rhetoric influenced ABB’s mindset and his plans more than any other writer or thinker. In fact, the subtitle of this manifesto comes from the title of one of Fjordman’s articles, and the date of 2083 seems very much influenced by estimates that Fjordman posits about the decline of Europe if Muslim immigration is not stopped soon. So logically, for me at any rate, to understand ABB, we first must talk about Fjordman’s articles and the part they played in ABB’s anti-Muslim fears.

Before you read part one of my discussion about Fjordman, there are some things I would like to share with you, gentle reader. Unpleasant things. Of course, I will never not be a little shocked when I discover a whole mess of people willing to accept conspiracy theory as irrevocable fact. I may devote my life to reading books about conspiracy theory, but it is unsettling when it hits home how deeply people can believe in it. It was shocking to realize that there are people who take the word of Bat Ye’or, the woman responsible for creating what I like to call The Protocols of the Elders of Mecca, as historical truth. It was horrifying to realize that people like Diana West (ahahahaha!), Daniel Pipes, and Robert Spencer are not laughed out of every quarter of contemporary political thought. It was disgusting to realize that there are no depths too low for the likes of Glenn Beck, Pamela Geller and Debbie Schlussel to sink as they try desperately to keep their names and ideas relevant in the minds of those who live and breathe race hate and bigotry.

But as unpleasant as all of this is, it is important that we understand how common conspiracy theory is in some form or other for a good many people in this world. For many the natural impulse is to dismiss ABB as a crazy man, and we dismiss him as a lunatic at our own risk because if he is a lunatic, so are many, many others. It is hardwired into the human brain to believe strange things, I think, and it’s hard to look at a man like ABB and realize that he is just one of many, a man who is different solely because he took things just one step further. That is why I ultimately feel pity for Fjordman. Fjordman, a True Believer in Bat Ye’or’s Eurabia conspiracy theory was building castles in the air via his online essays, never once thinking that his words, taken at face value, could have been seen as a call to arms.

We have a vested interest in dismissing all violence as crazy, labeling people like ABB as The Other, but his views are derived from other people and are influencing other people even after anyone with common decency would dismiss him. Killing innocent teenagers for a bizarre political and social agenda should have rendered ABB’s ideas untouchable for anyone with sense and a conscience – Fjordman is appalled by what happened on Utøya – but there is a fringe element who see what ABB did as being the work of a patriot. Think I’m exaggerating? I don’t recommend visiting Pamela Geller or Debbie Schlussel’s sites because if you do, you are rewarding their dreadful antics to draw attention to themselves. Rather, check out the analysis of some of these people on sites like Loon Watch, Spencer Watch, and, interestingly enough, Little Green Footballs. (It had been years since I had visited Little Green Footballs. Last time I visited the site, it was a hive of scum and villainy. Discovering the site is no longer devoted to race hate and biogtry was perhaps the sole pleasant element to come from reading 2083.)

Before I begin my discussion of 2083, I need to make it clear, very clear, that I am not discussing any specifics of the immigration situations in other countries or the specifics of Muslim immigration in Europe. I am not qualified to discuss it and I have no interest running to ground all of the statistics, determining what information is sound and what information is not. But even though the sites I have read that discussed some elements of 2083 focus solely on the question of Islamic immigration, there is so much more than that to be found in 2083. So much, in fact, that what began as just another of my long-winded looks at strange writings turned into what I think will be a four part series: two entries about Fjordman and two entries about ABB.

But being who I am, only part of the manifesto interested me. If you want a hard political look at Muslim immigration and the social implications of it, there are plenty of political sites on both sides of the issue to accommodate you. My examination of Fjordman will look at his beliefs and an analysis of his writing. My examination of ABB will be to look at his plans and his theories, and some postulation about his brain because I cannot resist the urge to armchair psychoanalyze him. And it should be mentioned that I am not going to stray from the text. Everything I discuss about either man comes directly from 2083, and to make it clear, every word from Fjordman comes from articles that ABB found so important that he reproduced them in full in 2083. I also will end up snarking some because, given the text we are discussing, how can I not? Some ideas, even those that lead to tragedy, have an arrogant comedy in them that cannot be ignored by a woman who has a black belt in sarcasm.

So begins Part One: Fjordman.

The Orange Eats Creeps by Grace Krilanovich

This post originally appeared on I Read Odd Books

Book: The Orange Eats Creeps

Author: Grace Krilanovich (I can’t find her site – if anyone knows where it is, let me know please)

Type of Book: Fiction, experimental

Why Do I Consider This Book Odd: It is written like a drug-induced nightmare with no plot, characterization or coherence of thought and because I had to stop reading halfway through yet still want to discuss it.

Availability: Published by Two Dollar Radio in 2010, you can get a copy here:

Comments: I have been on a bad streak lately, book-wise. I struggled through a bland horror novel by one of my favorite writers and lost about two weeks as I forced myself to keep reading though  I longed to quit and move on to something else. By the last 30 pages, I just skimmed and by the last ten pages I gave up. I followed it with a book that was supposedly about the social and sexual politics of using one’s body to make money, via stripping or peep shows or similar. When it became clear that the politics were really going to be whining about how hard it is to be a girl, like even middle class white chicks get called a slut if they sleep with a boy OMG, I put it down.

And that cheesy book of whining about sexual politics was followed by The Orange Eats Creeps. Well, it was followed by my final stab at the book. I began reading it back in March and had to put it down because I could not make sense of it. I began reading again in May and gave it my last try in June. I can’t get past page 95. I stopped reading with the knowledge I was never going to finish it.

That was a difficult thing for me to do. I have, in the past, taken a very hard line with my reading habits. If I begin a book, I tell myself I must finish it. But lately I cannot make myself operate this way. I just don’t have time left in my life to struggle through books that don’t interest me or books that are not good. Which is why it sucked so much to give up on The Orange Eats Creeps because it did, ultimately, interest me, and it was not a bad book. It just was too uncontrolled, too scattered and too lacking in what one needs to make a novel; you can open this book to any page and begin reading and it will make no more or less sense than if you begin reading from the first page.  (And if it seems like dirty pool discussing a book I didn’t finish, I don’t make a habit of it, but I have done it before. But that book deserved it…)

Before I begin my discussion of the first 95 pages of this book, I need to get a rant out of the way. This book’s marketing was so utterly misleading that I suspect it pissed off many readers. Unless things are very different at Two Dollar Radio, most writers have no say in how their book is marketed. If I am wrong and Krilanovich approved of this approach I am all apologies, but I can’t imagine any writer would want their work so dreadfully misrepresented. This book is not about junkie vampires roaming the Pacific Northwest and encountering strange sights as they search for the protagonist’s sister. This book is not a new, fresh look at vampires, an adult’s replacement for the Twilight books. When I heard about this book and read some of the blurbs written about it, I thought, “Oh wow, this sounds like Near Dark but with grunge in the place of Southern culture on the skids.” That was not the case. Arguably, this is not a vampire novel at all. It is a stream-of-consciousness narrative that has no plot, no real characterization, and is the epitome of an experimental novel. It is difficult to follow, it has no linear story-telling, yet was marketed as follows:

A band of hobo vampire junkies roam the blighted landscape – trashing supermarket breakrooms, praying to the altar of Poison Idea and GG Allin at basement rock shows, crashing senior center pancake breakfasts – locked in the thrall of Robitussin trips and their own wild dreams.

In this book blog of mine, have I ever called anyone an asshole before? If I haven’t, let me start now. Whoever wrote the above, which is from the inside cover flap of the book and was reproduced on several book sale venues, is an asshole. Seriously. Because while some of the above is true, it paints a picture of this book that is not true, giving no hint to the fact that this is a difficult book, a book written in an experimental style.  That was a mistake because despite the fact that I found this narrative so jagged and jangling, so much so that it was like a kaleidoscope in the form of a book, this book has its moments of narrative brilliance. Passing it off as a junkie vampire hobo book during the time Kurt Cobain ruled the Pacific Northwest robs this book of its purpose and taints it because those who wanted a vampire novel can only walk away annoyed.

God Is Dead by Ron Currie, Jr.

This post originally appeared on I Read Odd Books

Book: God Is Dead

Author: Ron Currie, Jr.

Type of Book: Fiction, short story collection

Why Do I Consider This Book Odd: This one is hard to classify as odd. It’s one of those books that is hard to classify as being in any genre. It resembles some of Vonnegut’s books in that regard, so perhaps that is enough to earn the odd label. Maybe it is odd because it made me wonder if there is a word for eating God. I guess theophagia works but I’d always associated that with the concept of communion. Is there a better word for literally eating the rotting corpse of God? If a book makes you ponder that question, it’s probably odd.

Availability: Published by Penguin Books in 2007, you can get a copy here:

Comments: I bought this book at Christmas time, and I very nearly put it back on the shelf because the cover appalled me. It features a dog sitting outside a cage. Inside the cage is another dog, curled up in a miserable little pile. I couldn’t tell if the caged dog was dead or asleep and not knowing made it worse. In fact, just thinking about the picture is making my stomach hurt a little. I cannot abide it when bad things happen to animals. This reaction taints a lot of my interaction with the world. I bought a Jack Ketchum book knowing full well the plot begins with the death of a dog and even so, I had to stop reading it. I just couldn’t take it. I hope Rugero Deodato, if there is an afterlife, spends a few years getting smacked around by a very large turtle and a couple of very angry pigs. So of course, given this tender-hearted tendency of mine coupled with my perverse desire to torture myself, I had to buy this book that featured a potentially dead dog on the cover being mourned by one of his own.

My instincts were right. This book was going to break my heart and I knew it before I opened it. The plot of this book is a cliche, a hackneyed conversation every wine-cooler and cheap beer-filled college freshman has had: what would happen if God died? But despite the fact that the premise is not original, this book is surprisingly fresh and frightening, at turns tender and sickening, hopeful and horrible. While there were elements that did not work as well as others, the fearlessness in which Currie approaches this story allows me to overlook its weaker parts.

Sorry I Ruined Your Orgy by Bradley Sands

This post originally appeared on I Read Odd Books

Book: Sorry I Ruined Your Orgy

Author: Bradley Sands

Type of Book: Fiction, bizarro, flash fiction, short story collection

Why Do I Consider This Book Odd: Well, one of the stories is called “Crawling Over Fifty Good Pussies to Get One Fat Boy’s Asshole.”

Availability: Published by Lazy Fascist Press in 2010, you can get a copy here:

Comments: We end Bizarro Week with Sorry I Ruined Your Orgy by Bradley Sands, and I need to remind you that today is also the last day you can run rampant in the comments in order to enter my free book drawing. I am giving away a free copy of each book I discuss this week, and here are the details on how you can enter to win. Comment freely. Comment with vigor. Comment with the knowledge that each comment adds to the sum total of democratic good in this world.

It’s fitting that I am ending this week with Sands’ collection of flash and short fiction. Some stories are absurd. Some are surreal. Some are really fucked up. Some are just a meaningless romp with words. Some are deeply layered and strangely touching. All of them have the demented hand of Sands going for them, but the breadth of story-type made this one of those collections where I am yet again struggling to find a common theme to unite the collection other than the relatively useless, “It’s good, read it.” So again, I am just going to discuss the stories I liked the best in the collection.

Misadventures in a Thumbnail Universe by Vincent W. Sakowski

This post originally appeared on I Read Odd Books

Book: Misadventures in a Thumbnail Universe

Author: Vincent W. Sakowski

Type of Book: Fiction, bizarro, short story collection

Why Do I Consider This Book Odd: It’s early(ish) bizarro and is very strange and sweet. I know for many that the word “sweet” is the kiss of death where a book is concerned, but this is sweet bizarro, not sweet like our moms would read. Although not having met your mothers, perhaps this is a bad call on my part.

Availability: Published by Eraserhead Press in 2007, you can get a copy here:

Comments: Bizarro Week continues onward with Vincent W. Sakowski’s Misadventures in a Thumbnail Universe. Don’t forget that I am giving away a copy of each book I am discussing this week and one lucky commenter will win all five. Click here for contest details and comment now, comment often!

Misadventures in a Thumbnail Universe was a wonderful surprise. The stories in this collection are creepy, surreal, beautiful, pulled from history and legend, and in one case, unconsciously reminiscent of one of my favorite speculative authors. Where Wilson’s stories creeped me out and where Rauch’s stories left me with a sense of emotional sadness, Sakowski’s stories left me feeling wistful. Using a traditional (more or less) plot structure and characterization, Sakowski’s stories invoke a sense of the unpleasant using the most beautiful language and present the utterly disturbing that registers as beautiful even as it appalls.

They Had Goat Heads by D. Harlan Wilson

This post originally appeared on I Read Odd Books

Book: They Had Goat Heads

Author: D. Harlan Wilson

Type of Book: Bizarro, fiction, short story collection

Why Do I Consider This Book Odd: Because there is some full-bore absurdity in this collection.

Availability: Published by Atlatl Press in 2010, you can get a copy here:

Comments: Day Three of Bizarro Week begins with They Had Goat Heads by D. Harlan Wilson, and before I begin to discuss the book, I want to remind you that one lucky reader will win a free copy of each book I review this week. Check out the contest rules and be sure to comment to enter!

Okay, on Monday, I discussed a book that is regular bizarro, with a traditional story framework but with outrageous and strange characters and details. Tuesday featured a gently weird book that focuses on the human experience more than the lunatic elements that can often be the trademark of bizarro. So it seems fitting that today we are looking at a book that is all over the map. It’s absurdist. It’s surreal. It alternates between hilarity and horror. It has a six-word story. It has flash fiction. It has short stories, consisting of simple vignettes and traditional plots. It has a creepy story that is made all the creepier because of the excellent illustrations accompanying it, making it a short, stylized graphic novel.

In fact, I’m unsure even how to begin the discussion. Thematically, I’m completely screwed. So I think I’m going to concentrate on examples of all the story types that I mention above.

Laredo by Tony Rauch

This post originally appeared on I Read Odd Books

Book: Laredo: Stories

Author: Tony Rauch

Type of Book: Fiction, bizarro, short story collection

Why Do I Consider This Book Odd: Rauch is a bizarro author, but even within that classification, he employs a writing style that is a bit left of center.  These stories are atypical enough that I consider them odd.

Availability: Published in 2008 by Eraserhead Press, you can get a copy here:

Comments: Day Two of Bizarro Week focuses on Tony Rauch’s Laredo. Before I begin, let me remind my readers that I am giving away a free copy of every book I will discuss this week. One lucky person will win a free copy of each of the five books and entering the drawing to win is as easy as leaving a comment. Read up on the contest rules here and comment wildly. Avidly, even.

I both enjoyed this collection and found it maddening. I like Rauch’s simple yet meandering approach to prose. His words at times are delightfully combined and the stories as a whole are far less insane than one often finds in bizarro fiction. But at times the stories, especially the first story in the collection, went on far too long for my tastes. And that is what is so maddening because even as I reread the stories I like the least, I could not find anything technically deficient with them.  In fact, I think the real maddening element was that I felt like these were stories I could have written myself and being unable to see them unfold as I wanted made me nervous.

So instead of force my tastes into a discussion wherein I end up panning a good story that simply was not my cup of tea or appearing as I would have wanted had I written it, I am going to discuss the stories that were, to my sensibilities, mostly excellent. This is a collection of stories that discusses longing, human frailty and occasionally gives the readers a happy ending when they least expect it. Little doses of magical realism, large doses of love-sick men, and stories that, had they been trimmed down a bit, would have been near perfect.